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苏轼在南京写的诗词赏析
中华文化博大精深、源远流长，古诗词更是多不胜数。下面小编带来的是苏轼在南京写的诗词，希望对你有帮助。
苏轼，（1037年1月8日-1101年8月24日）字子瞻、和仲，号铁冠道人、东坡居士，世称苏东坡、苏仙，汉族，眉州眉山（四川省眉山市）人，祖籍河北栾城，北宋著名文学家、书法家、画家，历史治水名人。苏轼是北宋中期文坛领袖，在诗、词、散文、书、画等方面取得很高成就。文纵横恣肆；诗题材广阔，清新豪健，善用夸张比喻，独具风格，与黄庭坚并称“苏黄”；词开豪放一派，与辛弃疾同是豪放派代表，并称“苏辛”；散文著述宏富，豪放自如，与欧阳修并称“欧苏”，为“唐宋八大家”之一。苏轼善书，“宋四家”之一；擅长文人画，尤擅墨竹、怪石、枯木等。与韩愈、柳宗元和欧阳修合称“千古文章四大家”。作品有《东坡七集》《东坡易传》《东坡乐府》《潇湘竹石图卷》《古木怪石图卷》等。
渔家傲
宋代：苏轼
金陵赏心亭送王胜之龙图。王守金陵，视事一日移南郡。
千古龙蟠并虎踞。从公一吊兴亡处。渺渺斜风吹细雨。芳草渡。江南父老留公住。
公驾飞车凌彩雾。红鸾骖乘青鸾驭。却讶此洲名白鹭。非吾侣。翩然欲下还飞去。
译文
“钟山龙蟠，石头虎踞”，千古金陵引起人怀归的思绪。难得陪同你凭吊这历经沧桑的兴亡之地。斜风渺渺，细雨濛濛，弥散着一片别情离愁。难忘这芳草渡口，江南父老依依惜别，恳切地把你挽留。
且莫伤怀，在我的想象中，你驾着飞车穿越多彩的云霞，仙游似地以鸾鸟为陪乘者，一路凌风驭虚而来。却讶异这里的沙洲，居然名之为白鹭，并不是适宜的栖居地。于是翩翩然未曾歇翅，还是向别处飞去。
注释
⑴渔家傲：词牌名。又名”吴门柳“”忍辱仙人“”荆溪咏“”游仙关“。双调六十二字；前后阕相同，完全惟七言仄韵诗两绝合为一。其所不同者仅有第三句协韵，以及下添一个三字句而已。
⑵王胜之：即王（wan）益柔（1015—1086），字胜之，河南（今河南洛阳）人。
⑶”千古“句：是说金陵古城是许多帝王的都城。相传汉末刘备使诸葛亮至金陵，谓孙权曰：“秣陵地形，钟山龙蟠，石城虎踞，此帝王之宅。”蟠，或作“盘”。
⑷从：与、跟。古时有数代帝王在金陵建都，故作者有“兴亡处”之喻。
⑸“江南”句：因王（wan）益柔为官清廉，有声望，所以说“留公住”。
⑹鸾：传说中凤凰一类的鸟。骖（cān）：指在车两侧驾御。驭（yù）：指在车中驾御。因王（wan）益柔为龙图阁直学士，所以作者有此比喻。
⑺白鹭：即白鹭洲，在金陵城（今南京市）西门外，被秦淮河与长江围着。
赏析
此词开头概要地叙述了金陵的地理形势和历史变迁，是古代许多帝王看中的都城。接着着重描绘金陵百姓在蒙蒙细雨中送别王胜之的难舍难分之情。
过拍两句用游仙的比喻来称赞王胜之的品德高洁。最后以戏谑的语言、轻灵的笔意说明金陵算不得理想居地，其用意是宽慰王胜之。
在这首词中，词人送别酬唱的生活实景以及情感体验成为词作着力表现的主题。词人个体的生活体验进入词作表现的领域。与此同时，景物在词作中的比重大幅度下降，作用明显弱化。一方面，词中的景致不再是晏词中泛化、类型化的水乡风物，而是词人身之所历、眼之所见的现实的风景；另一方面，词中景与情之间的关系发生了根本性的扭转，景物不再是作品中的主导性部分，而是人物眼中之景、心中之景，带有鲜明的人物活动的印记和影响。
从苏轼开始的以词作抒写主体独特的生命历程以及情感体验的创作方向，为后世众多的词人继承和沿袭。随着创作的不断丰富，词作中也融入了更复杂、多元的情感内涵。其中最集中、最响亮的声音是对功名的否定和对沉溺于功名之中的生存方式的反思，如“功名薄似风前絮”“守定微官真个错”“世上功名翻覆手”“名利场中空扰扰”等，便属此类歌咏。其次，与薄宦功名相伴而来的是对羁旅之愁和思家之念的倾诉，以及亲友离别的悲伤，如“征尘万里伤怀抱”“故园凝望空流泪”“那堪送客江头路”“忆昔故人为侣伴，而今怎奈成疏间”等，便属这类情怀的抒发。此外，归隐之愿的表达亦屡屡见诸笔端，如“从今莫负云山约”“此身甘被烟霞锢”“林泉况味终须好” 等。
落尽繁华皆不是——苏轼起伏的一生
苏轼于景祐三年生于偏远川蜀的书香门第之中，其父亲苏洵便是《 三字经》里提到的“二十七，始发奋”的“ 苏老泉”。苏洵为他起名为“轼“，意为车前的扶手，取其默默无闻却扶危救困，不可或缺之意。这样的名字，或许正是昭示了苏轼不*凡的一生。
嘉佑元年，苏洵带着二十一岁的'苏轼，十九岁的其弟苏辙，自偏僻的西蜀地区，沿江东下，于嘉祐二年进京应试。当时的主考官是文坛领袖欧阳修，小试官是诗坛宿将梅尧臣。这两人正锐意诗文改革，苏轼那清新洒脱的文风，一下子击中了他们的心。
在欧阳修的一再称赞下，苏轼一时声名大噪。他每有新作，立刻就会传遍京师，家喻户晓。当父子名动京师、正要大展身手时，突然传来苏轼苏辙的母亲病故的噩耗。二兄弟随父回乡奔丧。嘉祐四年守丧期满回京，嘉祐六年，苏轼应中制科考试，授大理评事、签书凤翔府判官。
治*二年，苏洵病逝，苏轼、苏辙兄弟扶柩还乡，守孝三年。三年之后，苏轼还朝，震动朝野的王安石变法开始了。苏轼的许多师友，包括当初赏识他的恩师欧阳修在内，因反对新法与新任宰相王安石政见不合，被迫离京。朝野旧雨凋零，苏轼眼中所见，已不是他二十岁时所见的“*和世界”。就这样，未等苏轼在朝野完全伸展他的抱负，展露他的拳脚时，他已经被逼退到了政局的角落。
之后的苏轼仍倔强上书，向皇上提出新法的弊病，惹怒了王安石，于是苏轼自请离京，离开了他年少时期心心念念大展身手的政治朝野。
元丰二年，四十三岁的苏轼调任湖州知州。上任后，他即给皇上写了一封《湖州谢表》，其间个别句子被*们过分解读，又从苏轼的大量诗作中挑出他们认为隐含讥讽之意的句子，一时间，朝廷内一片倒苏之声。这年七月二十八日，苏轼上任才三个月，就被御史台的吏卒逮捕，解往京师，受牵连者达数十人。这就是北宋著名的“ 乌台诗案”。
乌台诗案这一巨大打击成为苏轼一生的转折点。*们非要置苏轼于死地。救援活动也在朝野同时展开，不但与苏轼政见相同的许多元老纷纷上书，连一些变法派的有识之士也劝谏宋神宗不要杀苏轼。王安石当时退休金陵，也上书说：“安有圣世而杀才士乎？”在大家的努力下，这场诗案就因王安石“一言而决”，苏轼得到从轻发落，贬为黄团练副使。
在黄州期间，苏轼早已心灰意冷，却仍旷达洒脱，写下了无数名篇。《赤壁赋》《念奴娇·赤壁怀古》等等都是在此期间创作的。面对滚滚长江，他发出无限感慨，“哀吾生之须臾，羡长江之无穷“，”大江东去，浪淘尽，千古风流人物“，只有对着滔滔的江河他才敢抒发自己的抱负，感叹人生的渺小，但他对朝廷已经失望，对政党已经失望，他只有写，不停的写，才可以将心中的郁结吐出来。
而后宋哲宗即位，他短暂的东山再起，却还是因为无法阿谀奉承，既不能溶于*，也无法见谅于旧党，因此苏轼再次申请外调。
这一去，他便再没有回过京城。先任杭州知州，后至惠州，最后竟被贬到流放仅次于满门抄斩低一等罪行的儋州。但他并没有自暴自弃，每到一个地方，他事必躬亲，都做出了令人称赞的功绩。
在再一次的调任途中，他最终卒于归途，享年六十五岁。
从意气风发一展宏图的少年到最后客死他乡的悲惨结局，苏轼这一生跌宕起伏，感受到了人生无常世间冷暖，但因为他的豁达，“归去，也无风雨也无晴“的洒脱，他乐得其所，留下灿烂了宋词的无数佳作。终其一生，也归满足了罢。
描写南京的诗
《游钟山》[原] （七律）
钟灵毓秀紫金山，福地原来别有天；*水楼台晴亦雨，矗崖宝塔夏犹寒；
先生陵墓呈祥气，灵谷禅堂结佛缘；游客熙熙人浪涌，醉人美景尽兴看。
《秦淮河》[原] （七律）
十里秦淮灯火灿，楼台亭榭绕河堤；笙歌浓酒盈朱雀，古籍奇珍满乌衣；
肃穆庙中拜孔子，庄严院内偈贤耆；升*盛世游人醉，漫步棂星八绝奇。
《秦淮春趣》[原] （五绝）
曲径生幽溆，花开溢酒香；旗亭春弄笛，画舫晚鸣榔。
《阅江楼》[原] （七绝）
有记无楼六百载，*砥空对大江咽；喜逢盛世华楼起，笑迎波涛直矗天。
《登阅江楼怀古》[原] （长短句）
六朝古都，城谓石头。
临滔滔东去江水，登巍巍金碧高楼，心潮逐波流。
忆英武吴侯，霸江东，拒曹、刘，黄须碧眼阿瞒愁！
叹晋、宋偏安，清谈误国，霄小当道忠良囚；
央央华夏，忍看中原丧敌手，羞羞！
朱明洪武率貔貅，灭群雄，驱胡酋；
建都于斯，一统九洲。
赞龙蹯虎踞，看秦淮风月，悠悠！
《金山寺》[原] （五律）
山上金山寺，金山寺里山；江天呈一色，泠水称元泉。
法海袈裟舞，蛇仙碧浪掀；前生情缘定，何必论妖仙？
《游焦山》[原] （七律）
碧玉浮江文化山，中流砥柱峙湍川；江天佛国香林刹，峭壁书廊宝墨轩。
千树裹山山裹寺，万竿遮寺寺遮庵；风*浪静神仙岛，海不扬波小竺天。
《燕子矶》[原] （五绝）
燕矶突兀砻，展翅欲凌空；石垒江边峙，惊涛脚下汹。
《船过江阴》[原] （七律）
江尾海头古暨郡，天然良港富铙乡；南连震泽千顷浪，北控长江万里航。
鹅鼻嘴边舟行急，惠山峰顶雁飞忙；索桥飞架舞银练，寥阔江天染夕阳。
六朝古都，城谓石头。临滔滔东去江水，登巍巍金碧高楼，心潮逐波流。 忆英武吴侯，霸江东，拒曹、刘，黄须碧眼阿瞒愁！叹晋、宋偏安，清谈误国，霄小当道忠良囚；央央华夏，忍看中原丧敌手，羞羞！ 朱明洪武率貔貅，灭群雄，驱胡酋；建都于斯，一统九洲。赞龙蹯虎踞，看秦淮风月，悠悠！
苏轼在南京写的诗词赏析
中华文化博大精深、源远流长，古诗词更是多不胜数。下面小编带来的是苏轼在南京写的诗词，希望对你有帮助。
苏轼，（1037年1月8日-1101年8月24日）字子瞻、和仲，号铁冠道人、东坡居士，世称苏东坡、苏仙，汉族，眉州眉山（四川省眉山市）人，祖籍河北栾城，北宋著名文学家、书法家、画家，历史治水名人。苏轼是北宋中期文坛领袖，在诗、词、散文、书、画等方面取得很高成就。文纵横恣肆；诗题材广阔，清新豪健，善用夸张比喻，独具风格，与黄庭坚并称“苏黄”；词开豪放一派，与辛弃疾同是豪放派代表，并称“苏辛”；散文著述宏富，豪放自如，与欧阳修并称“欧苏”，为“唐宋八大家”之一。苏轼善书，“宋四家”之一；擅长文人画，尤擅墨竹、怪石、枯木等。与韩愈、柳宗元和欧阳修合称“千古文章四大家”。作品有《东坡七集》《东坡易传》《东坡乐府》《潇湘竹石图卷》《古木怪石图卷》等。
渔家傲
宋代：苏轼
金陵赏心亭送王胜之龙图。王守金陵，视事一日移南郡。
千古龙蟠并虎踞。从公一吊兴亡处。渺渺斜风吹细雨。芳草渡。江南父老留公住。
公驾飞车凌彩雾。红鸾骖乘青鸾驭。却讶此洲名白鹭。非吾侣。翩然欲下还飞去。
译文
“钟山龙蟠，石头虎踞”，千古金陵引起人怀归的思绪。难得陪同你凭吊这历经沧桑的兴亡之地。斜风渺渺，细雨濛濛，弥散着一片别情离愁。难忘这芳草渡口，江南父老依依惜别，恳切地把你挽留。
且莫伤怀，在我的想象中，你驾着飞车穿越多彩的云霞，仙游似地以鸾鸟为陪乘者，一路凌风驭虚而来。却讶异这里的沙洲，居然名之为白鹭，并不是适宜的栖居地。于是翩翩然未曾歇翅，还是向别处飞去。
注释
⑴渔家傲：词牌名。又名”吴门柳“”忍辱仙人“”荆溪咏“”游仙关“。双调六十二字；前后阕相同，完全惟七言仄韵诗两绝合为一。其所不同者仅有第三句协韵，以及下添一个三字句而已。
⑵王胜之：即王（wan）益柔（1015—1086），字胜之，河南（今河南洛阳）人。
⑶”千古“句：是说金陵古城是许多帝王的都城。相传汉末刘备使诸葛亮至金陵，谓孙权曰：“秣陵地形，钟山龙蟠，石城虎踞，此帝王之宅。”蟠，或作“盘”。
⑷从：与、跟。古时有数代帝王在金陵建都，故作者有“兴亡处”之喻。
⑸“江南”句：因王（wan）益柔为官清廉，有声望，所以说“留公住”。
⑹鸾：传说中凤凰一类的鸟。骖（cān）：指在车两侧驾御。驭（yù）：指在车中驾御。因王（wan）益柔为龙图阁直学士，所以作者有此比喻。
⑺白鹭：即白鹭洲，在金陵城（今南京市）西门外，被秦淮河与长江围着。
赏析
此词开头概要地叙述了金陵的地理形势和历史变迁，是古代许多帝王看中的都城。接着着重描绘金陵百姓在蒙蒙细雨中送别王胜之的难舍难分之情。
过拍两句用游仙的比喻来称赞王胜之的品德高洁。最后以戏谑的语言、轻灵的笔意说明金陵算不得理想居地，其用意是宽慰王胜之。
在这首词中，词人送别酬唱的生活实景以及情感体验成为词作着力表现的主题。词人个体的生活体验进入词作表现的领域。与此同时，景物在词作中的比重大幅度下降，作用明显弱化。一方面，词中的景致不再是晏词中泛化、类型化的水乡风物，而是词人身之所历、眼之所见的现实的风景；另一方面，词中景与情之间的关系发生了根本性的扭转，景物不再是作品中的主导性部分，而是人物眼中之景、心中之景，带有鲜明的人物活动的印记和影响。
从苏轼开始的以词作抒写主体独特的生命历程以及情感体验的创作方向，为后世众多的词人继承和沿袭。随着创作的不断丰富，词作中也融入了更复杂、多元的情感内涵。其中最集中、最响亮的声音是对功名的否定和对沉溺于功名之中的生存方式的反思，如“功名薄似风前絮”“守定微官真个错”“世上功名翻覆手”“名利场中空扰扰”等，便属此类歌咏。其次，与薄宦功名相伴而来的是对羁旅之愁和思家之念的倾诉，以及亲友离别的悲伤，如“征尘万里伤怀抱”“故园凝望空流泪”“那堪送客江头路”“忆昔故人为侣伴，而今怎奈成疏间”等，便属这类情怀的抒发。此外，归隐之愿的表达亦屡屡见诸笔端，如“从今莫负云山约”“此身甘被烟霞锢”“林泉况味终须好” 等。
落尽繁华皆不是——苏轼起伏的一生
苏轼于景祐三年生于偏远川蜀的书香门第之中，其父亲苏洵便是《 三字经》里提到的“二十七，始发奋”的“ 苏老泉”。苏洵为他起名为“轼“，意为车前的扶手，取其默默无闻却扶危救困，不可或缺之意。这样的名字，或许正是昭示了苏轼不*凡的一生。
嘉佑元年，苏洵带着二十一岁的'苏轼，十九岁的其弟苏辙，自偏僻的西蜀地区，沿江东下，于嘉祐二年进京应试。当时的主考官是文坛领袖欧阳修，小试官是诗坛宿将梅尧臣。这两人正锐意诗文改革，苏轼那清新洒脱的文风，一下子击中了他们的心。
在欧阳修的一再称赞下，苏轼一时声名大噪。他每有新作，立刻就会传遍京师，家喻户晓。当父子名动京师、正要大展身手时，突然传来苏轼苏辙的母亲病故的噩耗。二兄弟随父回乡奔丧。嘉祐四年守丧期满回京，嘉祐六年，苏轼应中制科考试，授大理评事、签书凤翔府判官。
治*二年，苏洵病逝，苏轼、苏辙兄弟扶柩还乡，守孝三年。三年之后，苏轼还朝，震动朝野的王安石变法开始了。苏轼的许多师友，包括当初赏识他的恩师欧阳修在内，因反对新法与新任宰相王安石政见不合，被迫离京。朝野旧雨凋零，苏轼眼中所见，已不是他二十岁时所见的“*和世界”。就这样，未等苏轼在朝野完全伸展他的抱负，展露他的拳脚时，他已经被逼退到了政局的角落。
之后的苏轼仍倔强上书，向皇上提出新法的弊病，惹怒了王安石，于是苏轼自请离京，离开了他年少时期心心念念大展身手的政治朝野。
元丰二年，四十三岁的苏轼调任湖州知州。上任后，他即给皇上写了一封《湖州谢表》，其间个别句子被*们过分解读，又从苏轼的大量诗作中挑出他们认为隐含讥讽之意的句子，一时间，朝廷内一片倒苏之声。这年七月二十八日，苏轼上任才三个月，就被御史台的吏卒逮捕，解往京师，受牵连者达数十人。这就是北宋著名的“ 乌台诗案”。
乌台诗案这一巨大打击成为苏轼一生的转折点。*们非要置苏轼于死地。救援活动也在朝野同时展开，不但与苏轼政见相同的许多元老纷纷上书，连一些变法派的有识之士也劝谏宋神宗不要杀苏轼。王安石当时退休金陵，也上书说：“安有圣世而杀才士乎？”在大家的努力下，这场诗案就因王安石“一言而决”，苏轼得到从轻发落，贬为黄团练副使。
在黄州期间，苏轼早已心灰意冷，却仍旷达洒脱，写下了无数名篇。《赤壁赋》《念奴娇·赤壁怀古》等等都是在此期间创作的。面对滚滚长江，他发出无限感慨，“哀吾生之须臾，羡长江之无穷“，”大江东去，浪淘尽，千古风流人物“，只有对着滔滔的江河他才敢抒发自己的抱负，感叹人生的渺小，但他对朝廷已经失望，对政党已经失望，他只有写，不停的写，才可以将心中的郁结吐出来。
而后宋哲宗即位，他短暂的东山再起，却还是因为无法阿谀奉承，既不能溶于*，也无法见谅于旧党，因此苏轼再次申请外调。
这一去，他便再没有回过京城。先任杭州知州，后至惠州，最后竟被贬到流放仅次于满门抄斩低一等罪行的儋州。但他并没有自暴自弃，每到一个地方，他事必躬亲，都做出了令人称赞的功绩。
在再一次的调任途中，他最终卒于归途，享年六十五岁。
从意气风发一展宏图的少年到最后客死他乡的悲惨结局，苏轼这一生跌宕起伏，感受到了人生无常世间冷暖，但因为他的豁达，“归去，也无风雨也无晴“的洒脱，他乐得其所，留下灿烂了宋词的无数佳作。终其一生，也归满足了罢。
梅花诗句南京
引导语：梅花不及牡丹的国色天香，月季的娇艳浮华，玫瑰的姹紫嫣红，荷花的`高贵典雅。但是，我却更喜欢这凌霜傲雪的梅花。下面是小编整理的梅花诗句，欢迎大家阅读!
题画梅
明·徐渭
从来不见梅花谱，信手拈来自有神。 不信试看千万树，东风吹着便成春。
王元章倒枝画梅
明·徐渭
皓态孤芳压俗姿，不堪复写拂云枝。 从来万事嫌高格，莫怪梅花着地垂。
明·唐寅
题画
雪压江村阵作寒，园林俱是玉英攒。 急须沽酒浇清冻，亦有疏梅唤客看。
早春
明·陈继儒
春风无力柳条斜，新草微分一抹沙。 欲向主人借锄插，扫开残雪种梅花。
宋徽宗画半开梅
明·赵友同
上皇朝罢酒初酣，写出梅花蕊半含。 惆怅汴宫春去后，一枝流落到江南。
画梅
明·方孝孺
微雪初消月半池，篱边遥见两三枝。 清香传得天心在，未话寻常草木知。
画梅
明·陈道复
竹篱巴外野梅香，带雪分来入醉乡。 纸张独眠春自在，漫劳车马笑人忙。
画梅
明·陈道复
梅花得意占群芳，雪后追寻笑我忙。 折取一技悬竹杖，归来随路有清香。
梅花落
明·薛暄
檐外双梅树，庭前昨夜风。 不知何处笛，并起一声中。
早梅
明·通润
万树寒无色，南枝独有花。 香闻流水处，影落野人家。
丁卯新正三日写梅
明·李日华
檀口粉肋含笑语，春风拂拂为开怀。 酒人得此添狂兴，诗句从天泼下来。
题画诗册页
清·普荷
无事不寻梅，得梅归去来。 雪深春尚浅，一半到家开。
山中雪后
清·郑燮
晨起开门雪满山，雪睛云淡日光寒。 檐流未滴梅花冻，一种清孤不等闲。
《红楼梦》咏红梅花(红字)
曹雪芹
桃未芳菲杏未红，冲寒先已笑东风。 魂飞庾岭春难辨，霞隔罗浮梦未通。
绿萼添妆融宝炬，缟仙扶醉跨残虹。 看来岂是寻常色，浓淡由他冰雪中。
《红楼梦》咏红梅花 (梅字)
曹雪芹
白梅懒赋赋红梅，逞艳先迎醉眼开。 冻脸有痕皆是血，酸心无恨亦成灰。
误吞丹药移真骨，偷下瑶池脱旧胎。 江北江南春灿烂，寄言蜂蝶漫疑猜。
《红楼梦》咏红梅花 (花字)
曹雪芹
【序】
一直以来，我总想为自己写一篇真实的自己，
不添枝加叶不掺杂虚浮，可我并非作家也非学者，
只读到初一上学期就因家境而退学，
所以我连文学爱好者都勉为其难，
因而我常常在我亲朋好友间成了笑柄。
但我并没有因这些而放弃。
其实我不求利却求一种虚名，
我更想用我的方式表达，我的人生我的追求梦想，
沿途的风景生活的艰难。憧憬是美好的，
然而现实却是残酷的，
所以我的笔下尽是沧桑，
没有欢悦的爱情描述，没有阳光的正能量，
只有伤感的恋曲和悲哀的生活价值观。
《赖南京》
文/赖南京
由于出生山村加上家境贫寒
十六岁南下踏上打工行业
从此的职业是名地道外来工
由于身村矮小外加其貌不扬
过度的自卑我变得异常胆怯
由于学历低微无才无技
职场屡屡失利情场段段失意
在人生的梦想我固执地坚持
害怕如果仅有的梦想都失去
生命的存在是否还有色彩
也许上天怜惜也许害怕老去
生命的另一半尽管姗姗来迟
却还是眷顾，从此不再孤单
不再毫无生气不再惊慌忧虑
生儿育女履行人生的使命
可不知这粗糙的双手能否
为生计开创未来的生活温馨
为家人撑起一片安逸的甜蜜
冷漠不再守候柔情不再空口
可时光滑过指尖更改了容颜
我却还是忙忙碌碌一无所有
心力交瘁却还得为生计奔走
望着镜中的我青春不再
却无法掩饰岁月留下的沧桑
这一路走得艰辛又不堪回首
通往幸福的路何方才是尽头
何处能有一片阳光净土容身
描写南京的诗句摘抄
【作者】：
杜甫
【年代】：
唐南京诗句
【题目】：
梅雨
【内容】：
南京西浦道，四月熟黄梅。
湛湛长江去，冥冥小雨来。
茅茨疏易湿，云雾密难开。
镇日蛟龙喜，盘涡与岸回。
【年代】：
唐
【作者】：
李白
【题目】：
上皇西巡南京歌十首
【内容】：
胡尘轻拂建章台，圣主西巡蜀道来。
剑壁门高五千尺，石为楼阁九天开。
九天开出一成都，万户千门入绘图。
草树云山如美丽，秦川得及此间无。
华阳春树号新丰，行入新都若旧宫。
柳色未饶秦地绿，花光不减上阳红。
谁道君王行路难，六龙西幸万人欢。
地转锦江成渭水，天回玉垒作长安。
于是沿着巷子一起前行，看到如今的乌衣巷，很寻常的'一条能走汽车的路，比刚才那条无趣得多了，刘禹锡当年所歌颂的，肯定是先前那条吧。
沿着秦淮河走去，在不防范的时候忽然看到一条小巷，上书“乌衣巷”。这是个满盈诗情画意的名字，正是“朱雀桥边野草花，乌衣巷口夕阳斜。旧时王谢堂前燕，飞入寻常黎民家。”这条乌衣巷，也确乎有些古风，出来之后有王导、谢安的展览，游人少数从巷口的一家小饭店穿过去了，因此整条小巷的大部分时间都是静静的。固然没有看到夕阳斜照，但也能想象谁人境界。既然云云，自然也要去寻觅一下朱雀桥了。
必带的南京特产有哪些
南京的特产种类很多，下面小编就为大家介绍一下南京的特产有哪些吧，欢迎大家阅读。
工艺品
南京的工艺品种类繁多，其中较为有名的有云锦、江宁金箔制品、天鹅绒、仿古牙雕及木雕等。选购正宗云锦可到江东门的南京云锦研究所。除此之外，南京雨花台所产的`雨花石也是值得收藏的旅游纪念品。买正宗的雨花石，可到朝天宫古玩城、南京博物馆、夫子庙的文物商店和工艺美术大楼看看。有点国画意境的要价上千元，普通的一元硬币大小的玛瑙级雨花石二十元左右。
南京云锦
南京云锦是一种提花丝织工艺品，与四川蜀锦、苏州宋锦并誉为“三大名锦”，以质地坚实、花纹浑厚优美，色彩浓艳为特色，大量使用金线，形成金碧辉煌的独特风格。云锦过去专供宫廷御用，现除少数民族做衣饰外，还出口国外做高档服装面料。南京云锦，配色多达十八种，富丽典雅。
天鹅绒
天鹅绒是南京传统的丝织工艺品，分真丝和丝棉交织两类，花纹有正雕和反雕之分。以质地坚实、绒密柔和、色泽沉静、花底分明为特色。
雨花石
质地坚硬，是石英岩、玛瑙等物的混合物。相传公元6世纪南朝梁武帝时代，元光法师在中华门外石子岗讲经，感动神灵，天降五色雨花，全化作七彩顽石。现设计人员和工匠以雨花石中精品为原料，琢磨成各种工艺品，被誉为玉雕艺苑中的一株新苗。
金陵折扇
金陵折扇有竹制折扇、绢宫扇、骨扇等，制作精细，轻巧美观，既是驱夏实用品，又是艺术欣赏品。尤以“金陵艺术大扇”，倍受欢迎。
特色食品
如果要想带一些小食品给家人，南京的香肠、香肚、真空桂花盐水鸭是必不可少的，但一定要认准是桂花牌的才正宗。也别忘了又香又好吃的南京小粒玫瑰花生。另外有雨花茶，春天的新茶品质最好。特产可以在大型超市买，品种较全，价格也较合理。新街口有沃尔玛，夫子庙有好又多，鼓楼有金润发，家乐福现有大行宫店和大桥店。尽量不要在旅游景点门口的小店购买。
流行服饰
南京有很多地方就像上海的襄阳路市场一样，是众多年轻女孩淘小东西的去处。夫子庙夜市、湖南路马台街夜市、南师大周边的夜市、以及新街口莱迪地下商场，聚集着众多个性小店和流行货摊。
南京小升初择校
初中是中学阶段的初级阶段，初级中学一般是指九年义务教育的中学，是向高级中学过渡的一个阶段，属于中等教育的范畴。以下是小编为大家整理的南京小升初择校相关内容，仅供参考，希望能够帮助大家！
1、看学校管理
学校管理的好差，体现在细节。你去看教室，不妨看看教室的布置，去看宿舍，不妨看看被子有没有叠，地干不干净。
2、看校长理念
这可差别大了，有些校长是来自公办的，有些校长是从民校一步步上来的，有的校长以前是高中的校长等等，校长的履历让每个人的风格都不一样的。名校游时，如果有机会，聊上几句，你就知道有没有眼缘了。
3、看校风学风
校风与学风是无形的，却又是有形的。这一点，你可以从学生见到老师和校长的表现中看出，还可以从学校的张贴标语、评比分数、各色海报中看出。最简单的方式，是问一问上届家长。
4、看师资力量
同样分数的学生，在此校，老师是这样做的，在彼校，老师是那样做的，两种做法的差别直接导致了学生未来进入高中有没有后劲。以“作业”为例，为什么有的民办作业超多，学生就差没累死，而有的民办精挑细选，控制作业量，甚至作业都是老师自己编制的，这其实就是老师的差别，教学方式的差别，大而言之是学风的差别。
5、看分班情况
有的学校是不分重点班的，但有的是分重点班与普通班的`，重点班的叫法各不相同，有的是精品班、有的是实验班等。
6、看中考成绩
许多民办的中考成绩都很漂亮，*均分都很高，公办学校都很难相比。但家长不应该仅仅了解这些，还应该问问学生未来的高中出路都是哪些学校，年级排名倒数20%的学生，最终可以去到什么学校。
7、看升学政策
这里指的是中考。虽然中考相对公*，但无论是公办还是民办都有不同的保送政策，多多少少各有不同，这些学校保送政策，可以关注一下。
8、看外语能力
虽然中考很重要，但在初中阶段，培养一门外语能力，尤其是学*一门第二外语，也相当重要，这个，可以跟你未来的视野有关，也可能跟你的人生幸福指数有关。
9、看面试政策
如何面试，如何报名？各校的具体做法怎样？这些都是线上线下了解的必问的政策问题。
10、看报考细节
比如住宿与走读，比如学费，比如奖学金，比如特长生，等等。这个，找张纸，列一列，名校游时，逐条问，才不虚此行。
拓展相关：关于南京小升初五年级孩子应该如何准备
当六年级的学生和家长正在为激烈奋战的时候，我们五年级的学生该提前准备些什么呢？五年级是一个数学学*的爬坡阶段。奥数的学*在这个时期显得尤为突出。如果在这个阶段对奥数进行系统学*，哪怕之前都没怎么接触奥数的孩子，其数学成绩可能有很大幅度的提高。
五年级学*奥数的重要性
小学五年级在中小学的'学*起着非常重要的作用，主要是因为五年级在中小学的学*中起着承上启下的作用，衔接好中低年级和高年级的学*，这个时期的孩子 已经逐步形成了自己的学**惯和学*方法。在五年级的这个衔接期，把握好显得尤为重要，此外五年级也是备战的积累时期。
具体分析如下：
首先五年级是对以前所学知识的总结。小学奥数中有很多内容都会在试卷中占有一定的比例，而五年级将这些知识总结了一下，让孩子知道自己在哪些方面薄弱，及时查漏补缺。
如果说一到四年级的学*是微观层面的，那么五年级的学*就是宏观层面的。只有在宏观调控下，微观的东西才能更好地发挥出它的作用。如果没有五年级的学*，那么以前的知识就像一座座大山压得学生喘不过气，也不知道应先攻克哪一座。
当然五年级也是初中学*非常好的前奏。没有这个前奏，孩子将很难做好从小学生向初中生的过渡。因为小学的内容是蛮简单的，而中学的是存在一定难度的，通过五年级的学*，孩子学生将深刻地了解这一点，也知道了自己应如何适应这样一个转变。
第三、五年级还是一个积累竞赛成绩的时段。众所周知，特别看重奥数和英语，上海地区的数学竞赛有希望杯，华杯赛，走美，迎春杯，杯等等， 在五年级这一年如果学生能够得一个奖，也就成功了一半，由此可见竞赛成绩在中的重要性，当然也就是五年级的奥数学*在中是非常重要的。
五年级如何学好奥数？
由简单入手
五年级是有余力进行额外学*的，但是如果之前没接触过奥数，那么还是从简单入手比较好。一则让孩子通过简单问题逐渐熟悉奥数，一则培养孩子的奥数兴趣，避免接触难题打消学*积极性。
要迅速过渡
五年级的学生是属于小学的高年级阶段，虽然是最初接触奥数，也不必按部就班的学。应该辅助一定的练*对几种类型题和专题进行深入分析了理解，掌握专题的解题思路，做到以点概面，迅速过渡到高年级奥数的学*。
制定学*计划
所谓系统学*，决不是拿过哪块来就学*哪块，必须要有一个合理的学*计划。通过一段时间简单的学*，家长应注意了解孩子的学*进度，帮助孩子制定一份大体的学*计划。然后严格按照计划进行系统学*。
重视基础
奥数是的竞争资本之一。其中大部分重点中学的奥数测试比较重视奥数的基础。而杯赛也基本都是在奥数基础上进行的延伸。所以不论是从的角度还是从提高自身能力的角度考虑，五年级学生都应该重视奥数基础部分。
量变到质变
学*到一定阶段之后，也要注重孩子思维方法的培养了，不能总是停留在解题这个阶段。要综合各个题型进行分析学*，通过知识的了解上升到方法的拓展，再到掌握方法举一反三，实现一个质的飞跃!
五年级刚接触奥数还来得及吗？
对于没有任何奥数基础的五年级学生来说，如果一上来就让孩子来看五年级奥数的相关书籍，不但起不到明显学*效果，反而会使学生产生对奥数的厌倦心理。所以，孩子入手学*奥数，应该先从奥数的基础理论知识入手。
然而，高年级入手学*奥数毕竟不同于低年级的孩子学*奥数，这首先是因为高年级学生相对于低年级学生有了更高的知识底蕴，而其接受能力、认识能力和领 悟能力都要比低年级的学生高，所以，高年级的学生学*奥数，虽然也要从基础知识入手，然而其对于同一类例题的分析却应该要比低年级学生的分析深入，而且透 彻得多。
也就是说，五年级学生学*奥数，从一开始所该进行的就应该是一种"从点到面"的系统化学*过程，而并不是像低年级学*奥数那样经历了从点到线，然后再 将线性知识网络化的过程。这样孩子通过对基础知识的了解，再辅以相应的例题分析和强化练*，可以很快就达到一种从了解知识到方法拓展，再到掌握方法，能举 一反三的目的。
南京中山陵英文导游词
作为一名具备丰富知识的导游，常常需要准备导游词，导游词是讲解当地的基本情况，介绍风土人情的文章。那要怎么写好导游词呢？以下是小编精心整理的南京中山陵英文导游词，仅供参考，大家一起来看看吧。
My dear friends ,when you come to a city, you probably want to visit the most famous scenic spots of special interest. Nanjing has many place of historic interests and has been capital for six “dynasties.” But if you leave Nanjing without visiting Dr. Sun Yat-sen` s Mausoleum, undoubtedly you have missed the most arresting and famous tourist attraction of the city.
Talking about the Mausoleum we should have an idea about Sun Yat-sen, the great pioneer of Chinese democratic revolution. Mr. Sun `s original name is Sun Wen and styled himself Yat-sen. So foreign friends would call him “Dr. Sun Yat-sen ”. Since he took “Woodcutter in Zhoushan ”as his alias when he took part in the revolutionary activities, he was respectfully and widely called Mr. Sun Zhongshan in China. On October 12, 1866, Mr. Sun was born in a farmer` s family in Caiheng village of Xiangshan county (the present-day zhongshang City) ,Guangdong Province. When he was still young, he had great expectations. He studied medicine in Honolulu, Hong Kong and some other places and after graduation he worked as a practitioner in Gangzhou, Macao and other places Later he gave up medicine as his profession to take part in political activities. In 1905, he set up China Alliance Organization in Japan and he was elected president. He put forward the famous guiding principle- “driving the invaders out ,restoring the sovereignty of China, establishing a republic and equalizing the land ownership ” and the Three People` s Principles-“ Nationalism, Democracy and the People` s Livelihood. ” On October 10, 1911, the Wuchang uprising broke out and Dr. Sun as elected Inrterim President of the Republic of China by representatives from seventeen provinces. On the following New Year` s day (January 1, 1912) Mr. Sun took the oath of office in Nanjing. From then on ,Mr. Sun experienced Yuan Shikai` s usurpation, the Second Revolution, “Campaign Protecting the Interim Constitution.” In 1921, Mr. Sun took the position of President in Unusual Times in Guangzhou. At the first National Congress of Kuomintang held in Quangzhou in 1924, he perfected the original Three People` s Principles and put forward Three people` s New Principles. He also proposed the policies of “Making an alliance with Russia and the Communist Party of China and helping the farmers and workers. ” In November 1924, in spite of his illness, Mr. Sun went up to Beijing to discuss state affairs with General Feng Yuxiang.
Unfortunately, he broke down from constant overwork and passed away on March 12, 1925.
The location of the Mausoleum was chosen by Mr. Sun himself. Here is exactly a good place to build a mausoleum. You may wonder: Mr. Sun was born in Guangdong but died in Beijing. For his whole life he traveled throughout China for the revolution. Why did he choose Nanjing as the venue of his tomb?
It is said that far before Mr. Sun took office in 1912, the abbot of Lingu Monastery had recommended him that his place is good for fengshui, because it faces the plain and is backed up by green mountains as its protective screen. On March 31,1912 Mr. Un resigned as a political compromise for the sake of the union of the North China and the South China. One day of the early April, he went hunting with Hu Hanmin around the Piety Tomb of Ming Dynasty. They took a rest in the place wehre the Mausoleum is located now. Mr. Sun looked around and said “IF possible I would like my countrymen to allow me to have this place to bury my coffin.” Surely, the fengshui of the Zijing Mountain is not the basic reason for the location of Mr. Sun` s mausoleum . The basic reason is that, he said on dying “After my death, you can bury me at the foot of the Zijin Mountain in Nanjing in memory of the Revolution of 1911, because Nanjing is where the temporary government was founded. ”So although Mr. Sun stayed in Nanjing not a long time, it had a special meaning to him. Fundamentally speaking, the reason he chose Zijing Mountain as his permanent resting-place is to commemorate the revolution of 1911 and to encourage the revolutionaries.
In order to respect Mr. Sun` s wish, the Preparatory Commi* of Sun Yat-sen` s Funeral, including his wife Song Qingling and his son Sunke, examined the area and chose the site for the Mausoleum. They delimited 2000 mu and offered a reward in newspaper for the best design of the Mausoleum. Among all the contribution, young architect Lu Yanzhi `s design, a design in the shape of a bell ,was highly praised and gained the first prize and he himself was invited to supervise the whole project as well.
On March 12,1926, the first anniversary of Mr. Sun` s death, the project got started and 3 years later, it was completed in spring of 1929. It cost 1.5 million silver collars totally.
Unfortunately, LuYanzhi, the young architect with great gift, suffered when supervising the project ,and died at 35, just before the completion of the Mausoleum. The completion ceremony was held on June 1, 1929 and Mr. Sun` s remains was transported from Beijing to Nangjing. From then on ,Mr. Sun has slept here for nearly 70 years.
The construction of Dr. Sun Yat-sen` s Mausoleum was an important event in the history of Nanjing. In order to meet Mr. Sun` s coffin, the first asphalt road was built from Zhongshan Port in the west to Zhongshan Gate in the east; it is 12 kilometres in length and also called Zhongshan Road. Up to today, Zhangshan Road is still one of the most important main roads. At the same time, the city gate Chaoyang Gate which was built in Ming Dynasty was renovated and Changed its name to Zhongshan Gate. Between Zhongshang Gate and Dr.Sun Yat-sen` s Mausoleum, a road called the Mausoleum Road was built. Just as the people of Paris take pride of their les Champs-Elysees and the people of New York ,the Fifth Avenue, the nanjing people are prond of their boulevards. And the 3 kilometers long Mausoleum Road is undoubtedly the best representative of these boulevards. Along both sides of the “green corridor” grows the main kind of tree in Nanjing as parasols Usually Chinese people call them French plane trees, in fact they are Chinese local products. Just because Frenchmen took them from Yunnan Province to France and later they transplanted them in their leased territory in Shanghai, that is why they got such a name.
Now ,we are going out of the Zhongshan Gate and driving along the Mausoleum Road. The destination ahead is a square in shape of crescent, According to Lu Yanzhi` s design, the place of the Mausoleum is like a “duo”, a big wooden bell, which was used to announce a policy, decree or a war in ancient time. Duo` s sound is loud and clear, im*ing to make the whole world peaceful and happy. The design reminds the people of Dr. Sun Yat-sen` s well-known saying “The revolution is far from success and we should continue working hard.” This saying also serves s an alert to the later generation. The crescent-shaped square is the bottom of the “Bell of Freedom”.
Now ,please look to the south. There is a octagon platform structured with reinforced concrete but covered with Jinshan stone of Suzhou. The platform is divided into three layers and each layer is enclosed by stone rails. The copper “ding” (an ancient cooking vessel) with two looped handles and two legs weighs 5000 kg. IT is 4.25 meters high and its diameter is 1.23 meters. It is one of the construction for memory of the mausoleum. The “ding ” was built in autumn, 1933 with donation of students and teaching staff of the Zhongshan University and Mr. Dai jitao. One side of the “ding ” is engraved with three characters “Intelligence, Humanity and Brevity”. These three words are the school instruction of Zhongshan University. Inside of the “ding ”stands a hexagon copper tablet on which Dai Jitao` s mother` s handwriting of the “Filial Piety” is engraved. To the bell-shaped mausoleum the “ding ” is just like the pendulum . It seems to serve to alarm the whole nation by striking the bell.
Stepping on the steps, we will see a soaring memorial archway with four columns. The archway was built between 1931 and 1933, 12meters hight and 17.3 meters in width. It is made of huge Granite from Fujian Province, but its structure is in Chinese traditional wood structure style. Now, look up at the shining words inscribed on the horizontal board. The word in English mean fraternity. They were written by Dr. Sun Yat-sen. The word are taken from a Tang Dynasty poet Han Yu` s “Fraternity is humanity ” .It is said that Mr. Sun very much liked to write these two words to others. Dr. Sun devoted his whole life to bourgeois democratic revolution with great fraternity and struggled for the national independence and freedom fro scores of years. So we can say that “fraternity” is the best generalization of his life.
Further from the Fraternity Archway, there is a road leading to the mausoleum. The road is 480 meters long and dozens of meters wide. The whole design of the mausoleum gives prominence to Chinese traditional style, grand, solemn and specific. In order to embody the greatness of Mr. Sun, the Mausoleum followed the example of ancient mausoleums and was built against mountains and the coffin chamber was placed at the top of the mountain that is 160 meters high. In addition, the plants of the Mausoleum are symmetric, which make it feel more solemn. Now, please look forward to the north, along the hillside ,situate the mausoleum Gate, the Stele Pavilion, the Memorial Hall and the coffin chamber right behind. The pines,cypresses, ginkgoes and maples on the both sides of the road represent Mr. Sun` s revolutionary spirit and lofty quality. They take the place of statues and stone beasts which usually flanked the sacred road in ancient times. Among the trees, cedar is one of the “four kinds of tree for appreciation” and has been honored as the tree of Nanjing City. The grand archway at the end of the Mausoleum Road is the formal beginning of the mausoleum area. IT is 16 meters high, 27 meters wide and 8.8 meters deep. It is made of granite from the Fujian Province, too. Inscribed on the horizontal board of the middle passage is Dr. SunYat-sen` s handwriting. It means that the state doesn` t belong to one family but belongs to the entire nation and the common people. This is the goal for which Mr. Sun struggled for his whole life and it is also the excellent explanation of the Democracy of the Three People` s Principles. We have passed the gate of the Mausoleum, then in front of us is the Stele Pavilion. The 9-meter high stele in the middle of the pavilion was engraved with 24 gold-plating characters of Yan Zhenqing style, “Chinese KMT buried Premier Sun here on June 1, 18th year of the Republic of China”. These words were written by one of the founder members of KMT, Tan Yankai. When talking about setting up a stele, Wang Jing wei and Hu Hanmin were arranged to write an inscription for Mr. Sun, but two years passed, yet nothing they could write. Because they thought that Mr. Sun` s merits couldn` t be generated by word, then they chose to use the present from to praise Dr. Sun without engraving an inscription.
Going out of the pavilion, we` ll see numerous layers of steps. The people of Nanjing often say that the steps in the Mausoleum ware as number as the stone lions on Lugou Bridge (known for Westerners as Marco Polo Bridge). So when coming here tourists usually ask, “how many steps on earth are there in the Mausoleum?” My friends, if you are interested you can count them.
Now we are coming near the top platform. Look ,there are two big copper “ding”. They were contributed by Shanghai municipal government of that time. Now, please look carefully. There are two holes in the bottom of the left “ding”. Why? Just let me tell you .In late 1937, when the Japanese army attacked Nanjing, their shooting left two holes in the left ding. Now, although the circumstances have changed, the two holes always remind Chinese people not to forget the national humiliation. Not far away, there are two bronze dings in ancient style. They are presented by Mr. Sun` s son Sun Ke and his family.
Ascending the steps, now we have reached the top of the platform. Here we can have a bird-view of what it is in the distance. The Memorial Hall is the half way up to the mountain and there are altogether 392 steps covered if you count from the archway of Fraternity. The vertical distance is 70 meters but the plane distance is 700 meters. If you count the steps from the Stele Pavilion, the number of steps is 290. In order to avoid monotone ,the architect divided the 392 steps into 10 parts and every part has a platform and there are totally 10 such platforms. More marvelous, if you look up from the bottom, you can see that the steps extend to the top without stop and you cant see any platform. But if you look down from the top, you only see the platforms. The number of the steps, 392, is not a random number, it implied the number of Chinese population at that time-392 million.
Now we are in front of the Memorial Hall and the coffin Chamber. They are the major parts of the Mausoleum. The construction of these two building was supervised then by Lu Yanzhi, the gift young designer. If is when he was doing these two building he died of cancer. So when the later generation mention him they would often say, “It is a great pity he died before his complete success.” The structure of the Sacrificed Hall is of a ancient wooden palace style. It is 30 meters long, 25 meters wide and 29 meter high, surrounded by smaller constructions of fortress style and two 12.6-meter-high cloud columns. Its roof, with double-eaves and nine ridges, is covered with blue glare tiles. The outside of wall is covered with granite from Hongkong. The inscription on the horizontal board is engraved with seal characters cut in relief- “Naturalism” “Democracy” and “The people` s livelihood” . These are the most basic and general guiding principles of Mr. Sun` s revolutionary activities. Above “Democracy” , there is a horizontal inscription board with Sun` s handwriting on it, “Fill the World with Justice”.
Please follow me into the Memorial Hall. The floor is covered with white and black marble from Yunnan Province. The colors of white and black are among the traditional color for burial ceremonies in China. There are 12 black stone columns, with 0.8 meter as the diameter for each. You will see that the interiors of the walls around are inset with black marble. Now you can have a look at Mr. Sun Yat-seen` s handwriting of “Programme for Founding a State”, engraved on the east and west walls. The main colors of the Hall are black, white and blue, which are used to express filial piety in China. The inside windows are inlaid with smaltos. They present western flavors especially with floods of sunshine. The style of the whole structure is a blend of the East and the West, representing the well blended doctrine of Dr. Sun Yat-sen.
In the middle is the sitting statue of Dr. Sun Yat-sen in a robe. It is 4.6 meters high and the bottom is 2.1 meters wide. It was sculpted by the famous French sculptor Paul Arinsky whose native country is Poland . He was entrusted by the commi* of Dr. Sun Yat-sen` s Funeral for sculpting it. He chose the Italian marble as the material for the statue . In 1930, the sculpture was sent to the Mausoleum from Paris. Its total cost was 1.5 million francs. The sic relief below are pictures depicting Mr. Sun` s life and revolutionary activities.
Passing through the Hall, we have come to the Coffin Chamber. There are two doors that you need to get through. The outer door consists of two American-made safety door leafs which are made of copper. The nails on them and the mysterious beasts on the copper loops are typical of traditional Chinese. The horizontal inscription board was engraved with “The noble spirit will never perish ” which was Sun` s handwriting for the 72 martyrs` tomb in Huanghua Mound of Guanzhou .The secound door is a single copper leaf engrave with seven characters “Mr. Sun Yat-sen` s tomb” which were written by Zhang Jing jiang.
The tomb is a half globe in shape. The design of KMT emblem is mosaicked in the vaulted dome. The floor of the round room is covered with marble. The room` s diameter is 18 meters and the height is 11 meters .The walls are covered with pink marbles. The circular marble pit is 1.7 meters deep and 4.35 meters in diameter. It is enclose with 1-meter-high white marble rails. In the pit lays Dr. Sun Yat-sen lying statue in Zhongshan Suit. This is sculpted in accordance to Mr. Sun` s remains by a Czechoslovakian sculptor. His copper coffin is lying about 5 meters below the sculpture. You may ask why on earth the clothes Dr. Wears for the sitting statue are totally different from those for the lying one? In those years, the leftists and the rightists inside of the KMT had severe conflicts. The rightists, headed by Chang Kai-shek wanted to restore the ancient ways and opposed revolution. They insisted that Mr. Sun should wear long robe, while the leftists insisted he wear Zhongshan Suit. Since they had different opinions thus the two statues have different clothes styles.
My friends, I `m afraid you must be concern about whether Mr. Sun remains are in the tomb or not. In fact, his remains had a unusual experience. After his death, his remain were dealt with antiseptic and placed in Biyun Monastery in Beijing in March, 1925. When the warlord Zhang Zong chang was defeated by the North Expeditionary Army and withdrew to Beijing in 1926, he ascribed his failure to Mr. Sun` s remains and decided to burn them .It is the patriotic general Zhang Xuelian who sent troops to protect the remains. Unfortunately they were once exposed to the air though they were safe again. On May 28, 1929, Mr. Sun` s coffin was sent to Pukou from Beijing by Jinpu Railway, and on June 1 it reached the Mausoleum. After the Grand Ceremony of Feng` an, the coffin and the remains were put into the pit and used cement to concrete it .The bottom of the tomb is granite. Under the copper coffin, there is a specially made wooden pad and enclosing the coffin is a well-sealed crystal box. After the breakout of the Resistance War against Japan, KMT government planed to transport the remains to Chongqing and at the end of the liberation war, Chang Kai-shek planed to transport it to Taiwan this time. Because it was not a easy job to take the coffin out and the work might do damage to the remains as well, this plan was fiercely attacked by the engineering field and the left wing of the KMT. At last Chang gave up the plan. So the remains have stayed here safely up to today.
Passing through the door in the back wall of the square outside you will arrive at the Mausoleum Park. The back wall of the park is a “Exhibition of Construction of Dr. Sun Yat-sen` s Mausoleum ”.The Exhibition contains nearly 200 precious historic materials which show the construction of the Mausoleum and the process of the transportation of Mr. Sun` s remains.
Beside the main structure, there are also some constructions around the Mausoleum built in memory of Mr. Sun. Most of the constructions are built after 1929 with the donation of those from both all trades in China and overseas Chinese. The Fraternity Pavilion on top of the Plum Hill is built with the donation of a Taiwanese compatriot. IT was completed on November 12,1993, the 127th anniversary of Mr. Sun` s birthday.
Ladies and gentlemen. Mr. Sun struggled for a better China for his whole life and overthrew monarch feudalist system which lasted for more than 2000 years. He carried out the three principal policies of “Making an alliance with Russia and the Communist Party of China and helping the farmers and workers” in his later days. The great feat Mr. Sun has achieved has gained great respect and praise from people from both home and abroad. After liberation, both central and local governments have exerted great efforts in preserving this excellent heritage.
Now, as one of the “Top Forty Tourist Resorts in China” Dr. Sun Yat-sen Mausoleum receives numerous Chinese and international friends every years. People come here to pay homage to Mr. Sun. Today, the unification has become the main tendency in terms of the relations between the Chinese on both sides of the Straits . I believe that most Chinese people, from both home and abroad, are expecting from the bottom of heart the coming of the day when our country is united and getting more prosperous. At that time, when hearing this. Dr. Sun would smile and be satisfied for sure in the other world. OK, thank you very much for your cooperation. Good bye and good luck!
拓展：南京中山陵观后感
今天，我们一家参观了中山陵。
因南京为临时*成立之地，所以不忘辛亥革命也。”用来唤醒世人。爬上石阶中门横额上是孙中山手书“天下为公，意思是说国家*不是哪一家的.天下，而是天下人的天下，老百姓的天下。这是孙先生毕生奋斗的理想，也是他所倡导的三民主义的极好注解。蓝色的琉璃瓦在阳光下闪闪发亮……走进里面，是汉白玉的孙先生的坐像，是按孙先生生前，一比一的比例雕刻的，安详而又庄重……
中山陵每年接待着来自世界各地的无数炎黄子孙与国际友人。人们怀着对中山先生伟大精神的崇敬与景仰来到这里凭吊拜谒。在*统一成为大势所趋、人心所向的今天，面对目前海峡*的现状，海内外炎黄子孙都衷心期盼着祖国统一、繁荣昌盛的那一天早日到来。彼时彼刻，倘若孙中山先生泉下有知，必会含笑长眠的。
孙先生把一生全融进了革命，为建国重量人物。中山陵，令我留念忘返！
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关于南京的古诗词
赞颂南京的古诗词
描绘南京的优美诗词
关于写南京的古诗词
关于济南南京的古诗词
跟南京有关的古诗词
离开南京的古诗词
南京夏天的古诗词
描写南京的古诗词
南京诗句
南京的诗句
从常德到南京的古诗词
写南京的古诗词有江南春吗
描写南京雪的古诗词
南京古诗词中的景点
唯美古诗词写南京的
古诗词中的南京记忆
自制春天的古诗
乌一港的古诗朗诵
忆江南的其它的二首古诗词
说三首古诗带有传统节日的
古诗词在现代歌词的使用情况
古诗送别王维的古诗动作表演
一个学生必背古诗的后果
古诗春眠不觉晓的国画配图
于古诗意思相同的画
古诗和对联的资料
描写春雨的古诗诗意
仿写远和*的古诗
古诗中含有名胜古迹的诗
官仓鼠的古诗视频
夜宿所见古诗的古诗
你知道中秋节的古诗
关于李白写荔枝的古诗
颂祖国的古诗
冬日赏雪时的古诗
古诗文中有关古代建筑的描写
杜甫的介绍和古诗
赞美武陵丛台的古诗
喜欢古诗词的星座
坚持不懈的古诗励志
形容工作绝望或崩溃的古诗
陌生的地方好像来过的古诗
宋朝爱国古诗有历史背景的
唐代古诗风的作者
形容不珍惜时间的古诗
烦恼忧愁的古诗词
古诗描写云的
