介绍西安的古诗词

西安城墙的介绍

西安城墙的介绍

　　西安城墙又称西安明城墙，是*现存规模最大、保存最完整的古代城垣 ，是第一批全国重点文物保护单位、国家AAAAA级旅游景区。以下是小编为大家搜集整理的西安城墙的介绍，希望大家喜欢。

　　城墙介绍

　　早在明王朝建立前，当朱元璋攻克徽州后，一个名叫朱升的隐士便告诉他应该高筑墙，广积粮，缓称王。朱元璋采纳了这些建议。当全国统一后，他便命令各府县普遍筑城。朱元璋以为天下山川，唯秦中号为险固。西安古城垣就是在这个建城的热潮中，由都督濮英主持，在唐皇城旧城基础上扩建起来。

　　明代扩建后的西安城墙高12米，顶宽12-14米，底宽15-18米，周长约13.7公里。城墙每隔120米修敌台一座，突出在城墙之外，顶与城墙面*。这是专为射杀爬城的敌人设置的。敌台之间距离的一半，恰好在弓箭的有效射程之内，便于从侧面射杀攻城的敌人。城墙上共有敌台98座，上面都建有驻兵的敌楼。

　　古代武器落后，城门又是唯一的出入通道，因而这里是封建统治者苦心经营的防御重点。西安城东、西、南、北四座城门，分别有正楼、箭楼、闸楼三重城门。闸楼在最外，其作用是升降吊桥，箭楼在中，正面和两侧设有方形窗口，供射箭用。正楼在最里，是城的正门。箭楼与正楼之间用围墙连接，叫瓮城，是屯兵的地方。瓮城中还有通向城头的马道，缓上无台阶，便于战马上下。全城还建有马道11处。城墙四角都有突出城外的角台。除西南角是圆形，可能是保持唐皇城转角原状外，其它都是方形。角台上修有较敌台更为高大的角楼，表明了这里在战争中的重要地位。

　　城墙上外侧筑有雉堞，又称垛墙，共5984个，上有垛口，可射箭和了望。内侧矮墙称为女墙，无垛口，以防兵士往来行走时跌下。

　　最初的西安城墙完全用黄土分层夯打而成，最底层用土、石灰和糯米汁混合夯打，异常坚硬。后来又将整个城墙内外壁及顶部砌上青砖。城墙顶部每隔40-60米有一道用青砖砌成的水槽，用于排水，对西安古城墙的.长期保护起了非常重要的作用。

　　城四周环绕着又宽又深的城河，正对城门处设有可以随时起落的吊桥。吊桥一升起，进出城的通路便被截断。

　　明代西安城垣曾是一个庞大而精密的军事防御体系，也是我国现存最完整的一座古城堡。西安古城堡显示了我国古代劳动人民的聪明才智，也为我们研究明代的历史、军事和建筑等提供了不可多得的实物资料。

　　到达与离开：

　　1、可在西安火车站就*从尚德门游览城墙

　　2、市内乘坐321、323、402、405、K600等公交车至“南门站”下车后，从南门登城墙

　　景点类型：历史建筑

　　最佳季节：3月-6月和9月-11月为宜。西安属季风气候，春秋两季既无严寒又无酷暑，最适合出行。7、8两月太热，不适合游览，如果是夏季，尽量选择早晨或者落日后上古城墙。

　　建议游玩：1-3小时

　　门票：40.00元

　　开放时间：08:00~20:00

　　地址：陕西省西安市中心区

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介绍西安的英语导游词

介绍西安的英语导游词（精选13篇）

　　作为一位出色的导游人员，通常需要准备好一份导游词，导游词作为一种解说的文体，它的作用是帮助游客在旅游的同时更好地理解所旅游的景点包含的文化背景和历史意义。导游词要怎么写呢？以下是小编为大家整理的介绍西安的英语导游词，仅供参考，大家一起来看看吧。

　　Xi'an is a beautiful city with a very colorful history.There are so many famous buildings in xian,such as clay sulelievs,Banpo village museum and so on.If one day you come to Xi'an,you'd better visit some places of interest,so that you can learn more knowledges about this city.At last,I'm sure that you can have a great time in Xi'an.

　　译：西安是座有着悠久历史的`城市，这里有许多的著名建筑，比如说兵马俑，半坡博物馆等等。如果有天你来到西安，你最好去参观名胜古迹，以便你可以学到更多有关于这座城市的知识。最后，我相信你在西安会玩的开心

　　Xi'an (Chinese:西安),is the capital of the Shanxi province in the People's Republic of China .As one of the oldest cities in Chinese history,Xi'an is one of the Four Great Ancient Capitals of China because it has been the capital of some of the most important dynasties in Chinese history,including the Zhou,Qin,Han,the Sui,and Tang dynasties.Xi'an is the eastern end of the Silk Road .The city has more than 3,100 years of history,and was known as Chang'an (traditional Chinese:长安).

　　Long holidays are usual during Spring Festival,Labor Holiday (1-7 May),and National Holiday (1-7 October).The number of travellers is often greater during Summer (May-August),although the most pleasant season for visiting Xi'an is Autumn.

　　Some of the most well-known sites in Xi'an are:The city is surrounded by a well-preserved City wall of Xi'an which was re-constructed in the 14th century during the early Ming Dynasty and was based on the inner imperial palace of Tang Dynasty.The Mausoleum of Qin Shi Huang and his Terracotta Army are located 40 km to the east of the city centre,in the city's suburbs.The Bell Tower and Drum Tower,both are located at the city's central axis.The city's Muslim quarter,which is home to the Great Mosque of Xi'an.The Giant Wild Goose Pagoda and Small Wild Goose Pagoda are both spectacular towers and both are well over 1,000 years old and have survived great earthquakes.The former is next to a large square with the largest fountain in Asia which projects water high into the air,rising and falling in time to music during one of the daily performances (usually at noon and soon after sunset).They protected Buddhist writings in the past.

　　The Stele Forest is famous for its numerous historic inscriptions and stoneworksThe Famen Temple and its towering pagoda located on the city's outskirtXi Ming TempleWolong Temple at Kaitong laneXingjiao Temple at Shaolin Yuan (where Xuanzang's Tomb lies)Jianfu TempleBlue Dragon TempleWangji TempleThe Banpo Neolithic village is located on the outskirt of the city properThe Qianling Mausoleum,one of the many Tang Dynasty era tombs located in Xi'anThe Shaanxi History Museum has a large collection of artifacts both modern and ancient.Mount Hua is one of the most visited and steepest mountains in the countryMount Zhongnan (终南山)Mount TaibaiMount LiHuaqing Hot Springs (华清池),at the foot of Mt.Lishan,have a history of 6,000 years,the adjacent Huaqing Palace has a history of 3,000 years.Ranked among the Hundred Famous Gardens in China,it also has the status as a National Cultural Relic Protection Unit and a National Key Scenic Area.

　　Hello, everyone! Welcome to Datang Furong garden! The completion of Datang Furong garden in 2004 shocked the Chinese people and surprised the world. The builders cast the essence of Tang culture into the garden architecture of Datang Furong garden, so that every landscape is pregnant with rich cultural spirituality. They tell the legend of Tang Empire and lead us into the dreamlike holy land of Datang.

　　Culture is the bridge between us and the Tang people in the 21st century. How does today's Tang Furong garden embody the sacred magnificence and brilliance of the royal culture of the prosperous Tang Dynasty? This trip will help you to understand this cultural phenomenon and give you a golden key to dream back to the prosperous Tang Dynasty.

　　Datang Furong garden covers an area of 1000 mu, including 300 mu of water area, 440 mu of green space, nearly 160 mu of road and square, with a total construction area of nearly 100000 square meters. With a total investment of 1.3 billion yuan, it is the first large-scale royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty in an all-round way. Master Zhang Jinqiu, academician of the Chinese Academy of engineering, is responsible for the overall planning, while Mr. Akiyama Akiyama, a Japanese national treasure master, is responsible for the park planning. It is the first five senses theme park in China, with the world's largest imitation Tang royal building complex, the world's largest outdoor incense project, the country's largest imitation Tang banquet development base - Yuyan palace and so on.

　　Here, you can not only see the world's largest water screen movie "Qi Tian Da Sheng", but also enjoy a large Dream Poetry and dance drama "dream back to the Tang Dynasty" which is elaborately made and contains the charm of the prosperous Tang Dynasty in Fengming Jiutian theater.

　　Furong garden is divided into four gates. Each gate has its name and meaning. It is the so-called "one gate, one landscape, one culture, one feature, one theme".

　　There are many scenic spots in the park, such as Ziyun building, ladies' hall, royal banquet palace, Apricot Garden, Fanglin garden, Fengming Jiutian theater, Tang City, etc., which can be divided into 14 scenic spots, including imperial culture, women's culture, poetry culture, imperial examination culture, tea culture, song and dance culture, food culture, folk culture, diplomatic culture, Buddhist culture, Taoist culture, children's entertainment, gate landscape culture, water show culture, etc The cultural zone is a new tourist attraction, which is known as "the shock of Chinese people, the wonder of the world". Tang Furong garden was officially opened to the outside world on April 11, 2005 (the third day of the third month of the third lunar month). When it opened, it ushered in a number of important figures such as former KMT x x Lien Chan and PFP x x James Soong.

　　"The weather is new on March 3, and there are many beautiful people near the water in Chang'an.".

　　In ancient times, there happened to be a low-lying area between leyouyuan and Shaolingyuan in the south. Due to long-term accumulation of water, a lake naturally formed. It was named qujiangchi because its water was like Guangling river. During the Qin and Han Dynasties, the royal garden was built in this area. After the Han Dynasty, wars broke out frequently and the water dried up gradually. In the Sui Dynasty, the Quchi was dug again to form the Royal Garden "Furong garden". In Tang Dynasty, the diversion c*** was expanded on a large scale, making it a royal garden and a public natural scenic spot. Every spring, the willows are green and the warblers sing and the swallows dance. Chang'an citizens come here more often. In order to make it convenient for the emperor to travel, a Jiacheng is specially built to lead to Furong garden. Qujiang has become a place for the royal family, nobles, scholars and common people to enjoy spring in Chang'an city. The wandering wanderer's memory of Chang'an is a symbol of the prosperous Tang Dynasty.

　　With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It will take you to the only cultural journey of the prosperous Tang Dynasty in China.

　　When we come to Tang Furong garden, we have to talk about Xi'an Qujiang tourist resort. Xi'an Qujiang tourist resort is a provincial tourist resort, which integrates sightseeing, vacation, recreation, business and villa, covering an area of 15.88 square kilometers. The park is rich in scenic resources. Centered on the magnificent Dayan Pagoda and Ci'en Temple, the built Tang Dynasty Art Museum, Tanghua Hotel and Tang Song and dance hall show the style of Tang Dynasty architecture. The botanical garden, bonsai garden, Chunxiao garden, rose garden and Qingliu garden show the beautiful scenery of Chang'an garden; International Food City and other tourism facilities provide services and convenience for domestic and foreign tourists in leisure, entertainment and catering. Tang Furong garden is designed by Zhang Jinqiu, academician of Chinese Academy of engineering and famous landscape architect in China, and by Akita Hiro, a world-class master in Japan.

　　Located in Qujiang New District of Xi'an City, Datang Furong garden covers an area of 1000 mu, including 300 mu of water surface, with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site, and is also the first large royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty. It includes many scenic spots, such as Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin, etc. Tang Furong garden has set a number of records in the history of China and even the world: it has the largest waterscape performance in the world, the first "five senses" (namely vision, hearing, smell, touch and taste) theme park, the largest outdoor fragrance project in the world, and the largest imitative Tang royal architectural complex in China, integrating Chinese garden and architectural art.

　　What are the characteristics of Tang Furong garden? First of all, the park is full of Tang culture. The sculptures and poems in the park are representatives of the prosperous Tang Dynasty, and the copies of Tang cultural relics reflect the characteristics of Tang; The second is the nearly 80000 square meters of Tang style architecture, which is the largest Tang style architecture community in the world. All of them are restored according to the original buildings, and all the architectural forms of Tang Dynasty are concentrated, which is a complete Tang Dynasty architecture textbook. The second is the 60 million yuan Lake fountain, which is also the largest water curtain film in the world; Finally, the performance of Lake Hu square, the dream of the Tang Dynasty, is composed by Zhao Jiping, a famous composer. It is an artistic essence of music, dance, music, poetry and recitation.

　　In fact, since ancient times, Qujiang has a profound historical landscape cultural background. The history of Qujiang can be traced back to the Qin Dynasty, when there was a famous Li palace named "Yichun Xiayuan". Sima Xiangru, a writer of the Western Han Dynasty, vividly described the natural scenery of Qujiang in his famous piece "Shanglin Fu".

　　Daxing City, the capital of Sui Dynasty, was built on Qujiang River. Emperor Wen of Sui Dynasty was suspicious and superstitious. Daxing city is high in the southeast and low in the northwest. Fengshui tends to the southeast. The harem is located in the middle of the north side, and it can't surpass the southeast in the terrain. Some people suggest that we should take the method of "weariness of victory" to get rid of it. If Qujiang is dug into a deep pool and separated from the city, it will be enclosed as a royal Forbidden Garden and become a place for emperors to play. In this way, the spirit of the king of the Sui Dynasty will never be threatened. Fortunately, there is a natural form of water circulation in Qujiang River. With a little renovation, it can become a place of beautiful scenery. In 583 ad, Emperor Wen of the Sui Dynasty officially moved to the new capital. When Emperor Wen of the Sui Dynasty moved to the new capital, he felt that "Qu" was unlucky, so he ordered his Prime Minister Gao Xun to change the name of the royal garden. One night, Gao Xun suddenly remembered that the lotus in Qujiang pool was in full bloom and extremely red. The lotus was called Furong, so he renamed Qujiang as "Furong garden". After a transformation in the early Sui Dynasty, Qujiang reappeared as a royal garden on the historical stage, and got a new name -- Furong garden. At the same time, it is closely connected with the capital Daxing city. The downstream of the pool flows into the city, which is one of the sources of water for the southeast of the city. In the era of emperor Yang of Sui Dynasty, Huang Guan carved various water ornaments in Qujiang pool, and the monarchs and ministers enjoyed the Qujiang drink by the Qujiang pool. He introduced the story of literati's Qujiang drinking cup in Wei, Jin, southern and Northern Dynasties into the palace, endowed Qujiang with a kind of humanistic spirit, and laid a foundation for the formation and development of Qujiang culture in Tang Dynasty.

　　On the basis of Furong garden in Sui Dynasty, the construction scale and cultural connotation of Qujiang garden were expanded in Tang Dynasty. In addition to the reconstruction of ziyunlou, caixiating, liangtang and Penglai mountain in Furong garden, the Yellow c*** of large-scale water conservancy project was excavated to expand the water surface of Furong pool and Qujiang pool. It became a place for royal families, monks and civilians to gather and visit. Qujiang Liuyin, Xingyuan Guanyan, Yanta title, Yueyou Denggao and other literary stories about the population in ancient Chinese history all took place here. Qujiang changed greatly in the Tang Dynasty, and became the only public garden in Chang'an City, the capital of the Tang Dynasty. It reached the most prosperous period in its development history, became the gathering place of Tang culture and the landmark area of Chang'an, the capital of the Tang Dynasty, and also played the strongest voice of Chinese culture.

　　"Jiangtou palace locks thousands of doors, for whom is Xiliu Xinpu green?" After the reign of Emperor Taizong of Tang Dynasty, the later dynasties, such as Emperor Gaozong and Emperor Ruizong, began to take great actions here, which laid the foundation for the prosperity of Tang culture. Emperor Xuanzong of Tang Dynasty expanded Qujiang on a large scale, which made it unprecedented and reached the peak of its garden construction. In Furong garden, the imperial Forbidden Garden, Xuanzong built Ziyun building, Caixia Pavilion, Linshui Pavilion, Shuidian, shanlou, Penglai mountain, liangtang and other buildings, and built a Jiacheng, 7960 meters long and 50 meters wide, from Daming Palace through Xingqing palace to Furong garden. After the expansion of Emperor Xuanzong of Tang Dynasty, the Furong garden has many palaces and pavilions. The garden buildings in Qujiang reach the highest level, and all kinds of cultural activities tend to climax. With the destruction of Chang'an city at the end of Tang Dynasty, all kinds of garden buildings were destroyed, and all kinds of cultural activities were gradually silent, so that some of them finally disappeared and could not be traced. Qujiang, a public garden area where civilians gather to visit, is not only unprecedented in the history of the ancient capital Xi'an, but also unique in ancient Chinese history.

　　Located on the side of the wild goose pagoda in the ancient capital Xi'an, Tang Furong garden is the first large-scale royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty in an all-round way. As early as in history, Furong garden is a famous royal garden. Today's Tang Furong garden is built on the original Tang Furong garden site. It is set against the background of "going into history, experiencing humanity and experiencing life", showing the splendid civilization of the Tang Dynasty.

　　The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots. Every day, there are various wonderful performances in the scenic spots of the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, Shaolin martial arts performance, lion dance, stilt, acrobatics and so on. The world's largest water screen movie, which is staged every night, integrates music fountain, laser, flame, mine and water mist, bringing tourists a three-dimensional feeling of shock.

　　The theme of the park is to perform a large-scale dream poem and dance drama "dream back to the Tang Dynasty", which is grand and fantastic. It was once invited to perform in Singapore, and was warmly received and highly praised by Singapore president Nathan, Lee Hsien Loong and Cabinet Minister Lee Kuan Yew. Every holiday, there are all kinds of theme activities to bring you 365 days of surprise and joy. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It will take you to the only cultural journey of the prosperous Tang Dynasty in China.

　　Datang Furong garden is located in Qujiang New District of Xi'an city. It covers an area of 1000 mu, including 300 mu of water surface with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site. It is the first large-scale royal garden style cultural theme park in China to show the style of the prosperous Tang Dynasty in an all-round way. Including Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin and many other attractions. Datang Furong garden has set many records, has the largest waterscape performance in the world, is the first "five senses" (i.e. vision, hearing, smell, touch and taste) theme park, has the largest outdoor fragrance project in the world, and is the largest imitation Tang royal building complex in China, integrating Chinese garden and architectural art.

　　As early as in history, Furong garden is a famous royal garden. In 583 A.D., Emperor Wen of Sui dynasty built "Furong garden" here. Today's Tang Furong garden is built on the original Tang Furong garden site, with a total construction area of nearly 100000 square meters, including pavilions, platforms, buildings, pavilions, pavilions, bridges and corridors. The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots.

　　The Tang style ancient architecture in the garden ranks first in China in terms of architectural scale and is the largest architectural complex in the world. It concentrates all the architectural forms of the Tang Dynasty, which is a complete Tang Dynasty architectural textbook. Tang Furong garden follows the principle that ancient architecture should prolong life, not rejuvenate. The design of building materials adopts the combination of brick and tile concrete structure and wood structure, which not only preserves the original appearance of the buildings in the Tang Dynasty, but also makes the ancient buildings undamaged for a long time.

　　In addition, Tang Furong garden uses various forms of expression to fully and naturally display the culture of the prosperous Tang Dynasty. We can not only appreciate the sacred and magnificent royal culture, but also see the grand guard of honor of the Tang Dynasty, such as "a hundred emperors' tour of Qujiang", as well as the theme activities such as exploring flowers in Apricot Garden, naming the wild goose pagoda, drinking in Qujiang River, and being an official. Entering Furong garden, every building and landscape has charming allusions and legends. During the stroll, the tall classical buildings and sparkling lights are dazzling. It seems that since the moment I stepped into the gate, I have turned the space and time and dreamt back to the Tang Dynasty.

　　The construction of Tang Furong garden is the epitome of Chinese garden and architectural art, especially the royal garden with the style of prosperous Tang Dynasty, which once attracted the attention of the world. The design and construction of Tang style architecture and landscape design inherit and develop the construction of Chinese classical architecture and garden. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It is known as "the garden of Chinese history, spirit, nature, humanity and art". It symbolizes the great era of the rise of China and is the totem of China's prosperity in the new century.

　　Located in the southeast of Dayan Pagoda, Tang Furong garden was built on the original Tang Dynasty Royal Furong garden site. Today, it has the largest imitation Tang architecture group in China. Come here to enjoy the magnificent imitation Tang architecture, the beautiful scenery set off by the lights, and the song and dance dream back to the Tang Dynasty with the style of the prosperous Tang Dynasty.

　　Taking Furong Lake as the geographical center, Tang Furong garden is surrounded by many scenic spots such as ziyunlou, Luyu tea house and Fengming Jiutian theater. The park is further divided into 12 cultural theme areas, which represent the splendid civilization of the Tang Dynasty from the aspects of emperors, poetry, folk, food, singing and dancing.

　　The night scene in the garden is also very bright. When the night falls and the lights begin to shine, you can see the splendid Tang culture corridor, Fanglin garden, Ziyun building and other places. Against the moonlight and lights, Tang Furong garden is more elegant.

　　There will also be wonderful performances in the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, etc. The world's largest water screen movie, staged every night in the north square of ziyunlou, will bring you a new three-dimensional shock. And the large-scale dance drama "dream back to the Tang Dynasty" staged in Fengming Jiutian theater is a music and dance performance integrating the style of the prosperous Tang Dynasty and the essence of song and dance. For more performances, please refer to the official website.

　　To visit Furong garden, it is recommended to enter the garden from the west gate (also known as yuyuanmen). After entering the garden, follow the lakeside path and circle the Furong Lake clockwise to visit various scenic spots. In the evening, I went back to the Fengming Jiutian theater near the south gate to enjoy the dream of the Tang Dynasty. In the evening, I watched the water curtain movie in the ziyunlou square to the north of the theater.

　　Tang Furong garden is the first Tang culture theme park. The largest water screen film in the world. The largest artificial sculpture community in China. The world's largest and most advanced water fire landscape show. The longest corridor of Tang culture in China. "Dream back to the Tang Dynasty" large scale song and dance appreciation. The first five senses (vision, hearing, smell, touch and taste) park in China. The world's largest outdoor fragrance project.

　　Tang Furong garden is located in Qujiang New District, Southeast of Xi'an. It was built to the north of the original Tang Furong garden site, with a total investment of 1.3 billion yuan. It covers an area of 1000 mu, including 300 mu of water. It is a large-scale theme museum park with water as the core, integrating experience, sightseeing, leisure, catering and entertainment, and concentrating Tang culture. Zhang Jinqiu, academician of Chinese Academy of engineering, is responsible for overall planning and architectural design, while Akiyama Akiyama, a Japanese landscape architect, is responsible for landscape design. Tang Furong garden aims to build a "garden of history, spirit, nature, humanity and art". In particular, more than ten experts from Tang Literature Society of China, including Tang history, Tang poetry, Tang painting, Tang Jian, doctoral tutors, researchers and tourism experts, are invited to re excavate and reorganize the historical and cultural contents of Tang Furong garden The landscape of the park has been re planned and re positioned, and has been divided into 12 landscape cultural expression areas

　　1. The cultural theme of Damen: creating the spirit of flourishing age and dreaming back to the Empire of Tang Dynasty. Awe the tourists with grand momentum. You can see the grand scene of the Tang Dynasty. Emperor's hometown, dream back to Tang Dynasty. To achieve a theme, a feature, a landscape.

　　2. The theme of diplomatic culture: the spirit of inclusiveness. It shows the frequent exchange of diplomatic envoys from various countries at that time and the commercial cultural atmosphere of "merchants gathering, internal and external accommodation" among the people. It shows the prosperous scene of "four treasures, all gathered together" in front of the tourists, so that the tourists can personally feel the prosperous era of exchanges between the world and the Tang Empire in the prosperous Tang Dynasty.

　　3. Tea culture theme: three Lu Yu scriptures, seven Lu Tong tea, meeting friends in the window, savoring Zen tea, laughing at Qu Jiangbo, indifferent and detached. It shows the tea ceremony culture of Tang Dynasty. From the development history of world tea culture, both Japanese tea ceremony and Chinese tea ceremony originated in the Tang Dynasty. "Tea ceremony" began to spread and develop after it was put forward in Tang Dynasty.

　　hello everyone! My surname is su. You can call me "little Su Su".

　　Welcome to Xi'an. It is an ancient civilized city with a long history. In ancient times, more than ten dynasties including Zhou, Qin, Sui and Tang established their capitals here. Its prosperity has been more than 1100 years. It can be said that Xi'an is an important birthplace of the Chinese nation and Chinese civilization.

　　There are 72 mausoleums of ancient emperors around Xi'an. There are more than 700 ancient buildings (big wild goose pagoda, small wild goose pagoda, terracotta warriors and horses of Qin Shihuang, bell tower, ancient city wall, etc.), as well as Famen Temple in Baoji, Huashan Mountain in Xiyue, Huaqing pool, etc. At the same time, it is also the shooting place of many large-scale TV and movies, such as the front-end hot spots of "that year the moon was full" and "White Deer Plain".

　　The beauty of Xi'an is more than that. I hope you can experience it yourself.

　　When it comes to Xi'an food, it's mouth watering. As a native of Shaanxi and a responsible tour guide, I'd like to introduce you to the special food of Xi'an, Shaanxi. 1、 Mutton bubble bun, saw a bowl of thick and authentic mutton soup out, floating on a layer of transparent mutton oil. A basket of pancakes and a few sugar garlic become authentic Shaanxi flavor. 2、 Rougamo, in Xi'an, almost every staple food is made of wheat flour. Rougamo, a thick pancake, is cut into two halves evenly, and stewed pork is the most simple and delicious food. Oil noodles, thorn stem noodles, hollow noodles, Qishan whistle noodles, millet porridge all kinds of. Shaanxi people are looking for the true taste in simplicity.

　　Oh, let's all get off when we get to the wild geese. Please get off one by one in order. Don't be crowded. When you get off the bus, take the garbage bags with you. Don't litter. Pay attention to protecting the environment and be a civilized outsider with social morality. Thank you!

　　The beauty of Xi'an is endless. I hope you can enjoy it!

Dear tourists:

　　There are hundreds of ancient city walls in China, among which the ancient city walls of Beijing, Nanjing and Xi'an are the largest. However, the ancient city walls of Beijing and Nanjing have been demolished or seriously damaged. The ancient city wall of Xi'an, which was built in 1370 ad, is still intact. When Japan came to Xi'an for a visit to China, they did not look at the pit of the terracotta warriors, the "eighth wonder of the world", but boarded the west gate tower, which was built more than 600 years ago, to appreciate the majestic appearance of the ancient city wall. Now, please come with me to visit the ancient city wall of Xi'an.

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关于立夏的古诗词介绍

关于立夏的古诗词介绍

　　在我们*凡的日常里，大家都经常接触到古诗吧，广义的古诗，泛指*战争以前*所有的诗歌，与*代从西方传来的现代新诗相对应。还苦于找不到好的`古诗？以下是小编为大家收集的关于立夏的古诗词，供大家参考借鉴，希望可以帮助到有需要的朋友。

　　1.《阮郎归·立夏》

　　作者：张大烈

　　绿阴铺野换新光，薰风初昼长。小荷贴水点横塘，蝶衣晒粉忙。

　　茶鼎熟，酒卮扬，醉来诗兴狂。燕雏似惜落花香，双衔归画梁。

　　2.《山中立夏用坐客韵》

　　年代: 宋 作者: 文天祥

　　归来泉石国，日月共溪翁。

　　夏气重渊底，春光万象中。

　　穷吟到云黑，淡饮胜裙红。

　　一阵弦声好，人间解愠风。

　　3.《立夏奉祀太一宫》

　　年代: 宋 作者: 刘筠

　　舜柏森森拂绛霄，薰风瑟瑟动云H。

　　琳房遍设沉榆*，金檠齐燃绿桂膏。

　　秘册十行开凤检，灵辉三烛驻霓旄。

　　香飘员峤空歌歇，北斗阑干月殿高。

　　4.《山中立夏即事》

　　年代: 明 作者: 蔡汝楠

　　一樽开首夏，独对落花飞。

　　幽僻还闻鸟，清和未换衣。

　　绿帏槐影合，香饭药苗肥。

　　尽日柴关启，蚕家过客稀。

　　5.《将出峡立夏前作》

　　年代: 明 作者: 蔡汝楠

　　蜀江云里唤钩，几片残花万树稠。

　　未换征衣逢入夏，一年春事在行舟。

　　6.《立夏》

　　年代: 宋 作者: 赵友直

　　四时天气促相催，一夜薰风带暑来。

　　陇亩日长蒸翠麦，园林雨过熟黄梅。

　　莺啼春去愁千缕，蝶恋花残恨几回。

　　睡起南窗情思倦，闲看槐荫满亭台。

　　7.《立夏》

　　年代: 宋 作者: 薛澄

　　渐觉风光燠，徐看树色稠。

　　蚕新教织绮，貂敝岂辞裘。

　　酷有烟波好，将图荷芰游。

　　田间读书处，新笋万竿抽。

　　8.《立夏日晚过丁卿草堂》

　　年代: 明 作者: 张

　　江上茅堂柳四垂，又逢旅次过春时。

　　雨多苔蚀悬琴壁，水满蛙生洗砚池。

　　风浦萧萧帆过疾，烟空漠漠鸟来迟。

　　避喧心事何人解，窗下幽篁许独知。

　　9.《立夏前一日有赋》

　　年代: 明 作者: 杨基

　　渐老绿阴天，无家怯杜鹃。

　　东风有今夜，芳草又明年。

　　蚕熟新丝后，茶香煮酒前。

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西安主要旅游景点介绍

西安主要旅游景点介绍

　　“旅”是旅行，外出，即为了实现某一目的而在空间上从甲地到乙地的行进过程；“游”是外出游览、观光、娱乐，即为达到这些目的所作的旅行。二者合起来即旅游。下面是小编整理的西安主要旅游景点介绍，欢迎大家分享。

　　陕西历史博物馆

　　陕西历史博物馆，是位于陕西西安的一座国家级综合性历史类大型博物馆。筹建于1983年，1991年6月20日落成开放，它的建成标志着*博物馆事业迈入了新的发展里程。陕西历史博物馆以其丰富的文物藏品成为展示陕西历史文化和*古代文明的殿堂，被誉为古都明珠，华夏宝库。

　　三秦大地是中华民族生息、繁衍，华夏文明诞生、发展的重要地区之一，*历史上最为辉煌的周、秦、汉、唐等十三个王朝曾在这里建都。丰富的文化遗存，深厚的文化积淀，形成了陕西的独特的历史文化风貌，被誉为古都明珠，华夏宝库的陕西历史博物馆则是展示陕西历史文化和*古代文明的艺术殿堂。

　　陕西历史博物馆是一座综合性历史类博物馆，位于*陕西省西安市雁塔区的小寨东路91号（大雁塔西北侧），是*第一座拥有现代化的设施的大型国家级博物馆。是4A级旅游景点。

　　陕西历史博物馆建筑的外观着意突出了盛唐风采，馆舍由一组中央殿堂、四隅崇楼的仿唐风格建筑群组成。馆舍布局呈轴线对称，主从有序;中央殿堂，四隅崇楼的结构特点。把唐代古典建筑风格与现代博物馆功能相结合，融*古代宫殿与庭院建筑风格于一体。馆区占地65，000*方米，建筑面积55，600*方米。文物库区面积8000*方米，展厅面积11000*方米。

　　陕西历史博物馆馆藏文物370，000余件，上起远古人类初始阶段使用的简单石器，下至1840年前社会生活中的各类器物，时间跨度长达一百多万年。*历史上强盛的周、秦、汉、唐等王朝曾在陕西西安附*建都，拥有丰富的文化遗存，深厚的文化积淀，文物数量多、种类全，品位高、价值广，其中有精美的商、周青铜器，千姿百态的历代陶俑，以及汉、唐金银器，唐墓壁画。堪称陕西悠久历史和文化的象征。陕西历史博物馆被誉为华夏珍宝库和中华文明的瑰丽殿堂。

　　陕西省历史博物馆是遵照**的遗愿建设的。

　　1973年，**来陕西视察时，有感于陕西丰富的文物资源和已有博物馆小而简陋的状况，提出应在陕西建一座新博物馆的指示。陕西省历史博物馆于1983年筹建，属国家七五计划重点建设项目。鉴于陕西在*历史上的地位，国家和陕西省*共同投资1.44亿人民币兴建陕西历史博物馆。陕西历史博物馆馆舍的设计由*工程院院士、著名建筑设计师张锦秋女士担任。1991年6月20日落成正式对外开放。绝大多数藏品是前陕西省博物馆移交的。

　　西安自古帝王都，历史上先后有周、秦、汉、唐等十三个封建王朝在此建都，地上地下文物非常丰富。形成了陕西的独特的历史文化风貌。陕西历史博物馆建成后，集中珍藏陕西地区出土的珍贵文物37万余件。比较典型的藏品有以下八大类：

　　青铜器

　　已登录注册的有3900多件。藏品时代上起商周，下止秦汉。种类有礼器、乐器、兵器、车马器、生活用品和生产工具。其中最为典型的商周青铜器，许多器物（如多友鼎、师献鼎等）上铸有史料价值很高的铭文。造型较为典型的有先周凤柱斝、西周牛尊、它盉、战国鸟盖瓠壶和汉彩绘雁鱼灯等。

　　历代陶俑

　　已注册的有2000多件。藏品时代包括秦、汉、北朝、隋、唐和宋、元、明、清。质地有陶、彩绘陶、釉陶和三彩。艺术形象有文武官员、甲士侍卫、男仆女侍、西域胡人，以及天王、镇墓兽和马、骆驼等各种动物。

　　历代陶瓷器

　　已注册的有5000多件。有史前仰韶文化彩陶、西周原始青瓷、汉代釉陶、唐三彩、古玻璃、琉璃、唐秘色瓷和宋耀窑青瓷等。器物种类包括生活用品、文具和殉葬明器等。

　　历代建材

　　已注册的有1000多件。藏品时代上起两周秦汉，下至唐宋明清。器物种类有陶制的瓦、瓦当、砖、昭尾、水道和石刻建材，以及金属建筑构件。

　　汉唐铜镜

　　已注册的有800多件。造形多样，图案精美。有些还铸刻着吉祥语句。

　　金银玉器

　　包括湮金望银的铜器。已注册的有2000多件。其中如西周玉制礼器、春秋秦公大墓出土的金啄木鸟、西汉皇后玉玺、金银竹节铜熏炉和1970年西安何家村唐代窖藏出土的镶金兽首玛瑙杯、八棱乐伎金杯、鎏金舞马衔杯纹银壶、赤金走龙等，均属举世罕见的精品。

　　历代货币

　　已注册的有10000多件。未清理造册（即不包括在总藏品数之内）的尚有50000多枚和*7000公斤。种类繁多，有西周贝币、战国刀币、秦半两、西汉金、王五株、王莽时的各种货币、唐金银币以及稀有的古代外币。

　　除上述八大类外，还有字画、版本、经卷、织物、骨器、木器、漆器、铁器、石器、印章、封泥，以及*现代文物和民俗民族文物。

　　陕西历史博物馆展厅面积11600多*方米，展出文物精品2700多件，展线总长2300米。展厅跨度大，层位高，视野广阔，照明设备灵活多用。整个陈列分为序言厅、基本陈列、专题展览、临时展览和已开辟为国际画廊的中央大厅等几个部分。馆内设有现代化文物库房、文物保护科技中心、图书馆、具备多种语言同声传译功能的报告厅。

　　博物馆序言厅位于中央大殿前端，陈列一尊巨大的千年石狮（唐代顺陵石狮复制品），衬以奔腾的黄河和黄土高原巨幅照片，引导观众去领略由黄土、黄河孕育出的古老文明。

　　陕西历史博物馆的基本陈列为陕西古代文明，2008年正式开放，以历史进程为线索，选取各时代的典型文物进行组合陈列，来揭示陕西地区古代社会文明发展状况。该陈列展出面积5051*方米，展线长1247米，在中央大厅，分上下两层，共三个展室，分为七个部分（史前;周;秦;汉;魏、晋、南北朝;隋、唐;宋、元、明、清）。

　　第一展馆：第一单元《人猿揖别》，距今115万年前的先民遗存，第二单元《凤鸣*》，西周王都的丰富遗迹，第三单元《东方帝国》，秦帝国以兵马俑为代表的文物;

　　第二展馆：第四单元《大汉雄风》，汉都长安、汉家陵阙和典型汉代文物，第五单元《冲突融合》，陕西民族大融合、佛教东渐丰富的文化遗存及宗教文物;

　　第三展馆：第六单元《盛唐气象》，*古代鼎盛时期隋唐时代典型遗存，第七单元《告别帝都》，展示唐以后作为西北区域中心的陕西。

　　基本陈列精选的2000余件珍贵文物包括：反映古代先民生活情景和艺术追求的丰富多姿的彩陶器皿，反映西周王都兴起与拥有的青铜器，反映秦扫*统一天下的青铜剑、兵马俑等，以及显示秦汉建筑构件、大型瓦当，民族大融合文化遗存、佛教东渐的宗教文物，还有反映盛唐繁荣景象的唐代金银器和唐三彩等等，并配以遗址模型、图表、照片等辅助展品，系统展现自115万年前至1840年期间陕西地区的悠久古代历史和文化。由于*古代社会周、秦、西汉、隋唐几个盛期都是在陕西地区建都的，所以该陈列以这几个时期为重点，反映了陕西地区古代文化，这几个时期*社会经济文化发展的最高水*。

　　唐墓壁画馆收藏了*20座唐墓的壁画，总藏量约1000*方米。我国历代墓葬壁画，不论是出土数量还是艺术价值，首推唐墓，主要集中在唐都长安周围。由于墓室壁画采取从墓室中将厚度为0点5cm—1cm的画面揭取下来加以保存的异地保存形式，为妥善保护这批壁画真迹，在陕西历史博物馆建馆同时修建了一座现代化的壁画观摩库，对壁画进行收藏、保管，同时便于研究和对外开放。唐墓壁画真品展每周部分时间对外开放。可观赏国宝级和一级品壁画十余幅，其中主要有章怀太子墓出土的马球图、狩猎出行图、客使图、懿德太子墓出土的阙楼图、仪仗图、宫女图等。

　　1、西周早期【（方舆）左右偏旁yu鼎】通高77，口径56点5厘米。1972年陕西眉县杨家村出土。目前暂存库房，没有在展线上展览。

　　2、西周中期【五祀卫鼎】通高36点3，口径34点3厘米。1975年*县董家村出土。在一楼西周展览大厅中段。

　　3、西周晚期【多友鼎】通高51点5厘米，口径50厘米。1980年陕西长安县下泉村出土。在一楼西周展览大厅中段。

　　4、西汉【皇后玉玺】高2，边长2点8厘米，重33克。1968年陕西咸阳市韩家湾乡狼家沟出土。在二楼西汉展览大厅前段。

　　5、西汉【鎏金竹节熏香炉】通高58，口径9，底径13点3厘米。1981年陕西兴*县豆马村出土。在二楼西汉展览大厅前段。

　　6、唐【舞马衔杯纹银壶】高14点3厘米。1970年西安市何家村出土。在二楼隋唐展览大厅中段。

　　7、唐【阙楼。仪仗图】高28O，宽280厘米。1971年陕西乾县懿德太子墓出土

　　8、唐【宫女图】高176，宽196.5厘米。1960年陕西乾县唐永泰公主墓出土。

　　9、唐【马球图】高229，宽688厘米。1971年陕西乾县章怀太子墓出土。

　　10、唐【狩猎出行图】高100—200，全长890厘米。1971年陕西乾县李贤墓出土。

　　11、唐【礼宾图】1971年陕西乾县章怀太子墓出土。

　　以上五组18幅壁画均保存密封库房中，在二楼隋唐展览大厅内均有其复制品供游客欣赏。

　　12、唐【鸳鸯莲瓣纹金碗（两件）】高5点5厘米，口径13点7厘米，足径6点7厘米。1970年西安市南郊何家村出土。在二楼隋唐展览大厅中段。

　　13、唐【镶金兽首玛瑙杯】长15点5，口径5点9厘米。1970年西安市南郊何家村出土。在二楼隋唐展览大厅后段。

　　14、唐【鹦鹉纹提梁银罐】高24点2，口径12点4，足径14点3厘米。1970年西安市南郊何家村出土在二楼隋唐展览大厅中段。

　　15、唐【三彩载乐骆驼俑】通高58厘米。高24点2，口径12点4，足径14点3厘米。1959年西安市西郊牛堡村唐墓出土。

　　原件在库房，其仿制品在二楼隋唐展览大厅后段。

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贾生古诗介绍

贾生古诗介绍

　　《贾生》是唐代诗人李商隐的一首借古讽今的咏史诗，意在借贾谊的遭遇，抒写诗人怀才不遇的感慨。下面是小编收集整理的贾生古诗介绍，希望对你有帮助。

　　李商隐 贾生

　　宣室求贤访逐臣，贾生才调更无伦。

　　可怜夜半虚前*，不问苍生问鬼神。

　　【译文及注释】

　　汉文帝在宣室求问被贬谪的贤臣，

　　贾谊的才华和格调更是无可比伦。

　　谈至深夜汉文帝挪动双膝靠*他，

　　可惜他不垂询民生却是穷究鬼神。

　　１、宣室：汉未央宫前正室；

　　２、逐臣：指贾谊曾被贬谪。

　　３、才调：才气。

　　【赏析】

　　贾谊贬长沙，久已成为诗人们抒写不遇之感的熟滥题材。作者独辟蹊径，特意选取贾谊自长沙召回，宣室夜对的情节作为诗材。《史记·屈贾列传》载：

　　贾生征见。孝文帝方受厘（刚举行过祭祀，接受神的福祐），坐宣室（未央宫前殿正室）。上因感鬼神事，而问鬼神之本。贾生因具道所以然之状。至夜半，文帝前*（在坐*上移膝靠*对方）。既罢，曰：“吾久不见贾生，自以为过之，今不及也。”

　　在一般封建文人心目中，这大概是值得大加渲染的君臣遇合盛事。但诗人却独具只眼，抓住不为人们所注意的“问鬼神”之事，翻出了一段新警透辟、发人深省的诗的议论。

　　“宣室求贤访逐臣，贾生才调更无伦。”前幅纯从正面着笔，丝毫不露贬意。首句特标“求”、“访”（咨询），仿佛热烈颂扬文帝贤意愿之切、之殷，待贤态度之诚、之谦，所谓求贤若渴，虚怀若谷。“求贤”而至“访逐臣”，更可见其网罗贤才已达到“野无遗贤”的程度。次句隐括文帝对贾谊的推服赞叹之词。“才调”，兼包才能风调，与“更无伦”的赞叹配合，令人宛见贾生少年才俊、议论风发、华采照人的精神风貌，诗的形象感和咏叹的情调也就自然地显示出来。这两句，由“求”而“访”而赞，层层递进，表现了文帝对贾生的推服器重。如果不看下文，几乎会误认为这是一篇圣主求贤颂。其实，这正是作者故弄狡狯之处。

　　第三句承、转交错，是全诗枢纽。承，即所谓“夜半前*”，把文帝当时那种虚心垂询、凝神倾听、以至于“不自知膝之前于*”的情状描绘得维妙维肖，使历史陈迹变成了充满生活气息、鲜明可触的画面。这种善于选取典型细节，善于“从小物寄慨”的艺术手段，正是李商隐咏史诗的绝招。通过这个生动的细节的渲染，才把由“求”而“访”而赞的那架“重贤”的云梯升到了最高处；而“转”，也就在这戏剧高潮中同时开始。不过，它并不露筋突骨，硬转逆折，而是用咏叹之笔轻轻拨转──在“夜半虚前*”前加上可怜两字。可怜，即可惜。不用感情色彩强烈的“可悲”、“可叹”一类词语，只说“可怜”，一方面是为末句── 一篇之警策预留地步；另一方面也是因为在这里貌似轻描淡写的“可怜”，比剑拔弩张的“可悲”、“可叹”更为含蕴，更耐人寻味。仿佛给文帝留有余地，其实却隐含着冷隽的嘲讽，可谓似轻而实重。“虚”者，空自、徒然之谓。虽只轻轻一点，却使读者对文帝“夜半前*”的重贤姿态从根本上产生了怀疑，可谓举重而若轻。如此推重贤者，何以竟然成“虚”？诗人引而不发，给读者留下了悬念，诗也就显出跌宕波折的情致，而不是一泻无余。这一句承转交错的艺术处理，精炼，自然，和谐，浑然无迹。

　　末句方引满而发，紧承“可怜”与“虚”，射出直中鹄的的`一箭──不问苍生问鬼神。郑重求贤，虚心垂询，推重叹服，乃至“夜半前*”，不是为了询求治国安民之道，却是为了“问鬼神”的本原问题！这究竟是什么样的求贤，对贤者又究竟意味着什么啊！诗人仍只点破而不说尽──通过“问”与“不问”的对照，让读者自己对此得出应有的结论。辞锋极犀利，讽刺极辛辣，感概极深沉，却又极抑扬吞吐之妙。由于前几句围绕“重贤”逐步升级，节节上扬，第三句又盘马弯弓，引而不发，末句由强烈对照而形成的贬抑便显得特别有力。这正是通常所谓“抬得高，摔得重”。整首诗在正反、扬抑、轻重、隐显、承转等方面的艺术处理上，都蕴含着艺术的辩证法，而其新警含蕴、唱叹有情的艺术风格也就通过这一系列成功的艺术处理，逐步显示出来。

　　点破而不说尽，有论而无断，并非由于内容贫弱而故弄玄虚，而是由于含蕴丰富，片言不足以尽意。诗有讽有慨，寓慨于讽，旨意并不单纯。从讽的方面看，表面上似刺文帝，实际上诗人的主要用意并不在此。晚唐许多皇帝，大都崇佛媚道，服药求仙，不顾民生，不任贤才，诗人矛头所指，显然是当时现实中那些“不问苍生问鬼神”的封建统治者。在寓讽时主的同时，诗中又寓有诗人自己怀才不遇的深沉感慨。诗人夙怀“欲回天地”的壮志，但偏遭衰世，沉沦下僚，诗中每发“贾生年少虚垂涕”、“贾生兼事鬼”之慨。这首诗中的贾谊，正有诗人自己的影子。概而言之，讽汉文实刺唐帝，怜贾生实亦自悯。

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关于西湖的古诗介绍

关于西湖的古诗介绍

　　在*日的`学*、工作和生活里，大家都经常接触到古诗吧，古诗是古代*诗歌的泛称，在时间上指1840年*战争以前*的诗歌作品。还苦于找不到好的古诗？以下是小编帮大家整理的关于西湖的古诗介绍，欢迎阅读与收藏。

　　一：《饮湖上初晴后雨》

　　苏轼（宋）

　　水光潋滟晴方好，山色空蒙雨亦奇。

　　欲把西湖比西子，淡妆浓抹总相宜。

　　二：《春题湖上》

　　白居易（唐）

　　湖上春来似画图，乱峰围绕水*铺。

　　松排山面千重翠，月点波心一颗珠。

　　碧毯线头抽早稻，青罗裙带展新蒲。

　　未能抛得杭州去，一半勾留是此湖。

　　三：《岳鄂王墓》

　　赵子昂（元）

　　鄂王墓上草离离，秋日荒凉石兽危。

　　南渡君臣轻社稷，中原父老望旌旗。

　　英雄已死嗟何及，天下中分遂不支。

　　莫向西湖歌此曲，水光山色不胜悲。

　　四：《杭州回舫》

　　白居易（唐）

　　自别钱塘山水后，不多饮酒懒吟诗。

　　欲将此意凭回棹，报与西湖风月知。

　　五：《忆西湖》

　　张煌言（明）

　　梦里相逢西子湖，谁知梦醒却模糊。

　　高坟武穆连忠肃，添得新祠一座无。

　　六：《寄题余杭郡楼兼呈裴使君》

　　白居易（唐）

　　官历二十政，宦游三十秋。

　　江山与风月，最忆是杭州。

　　北郭沙堤尾，西湖石岸头。

　　绿觞春送客，红烛夜回舟。

　　不敢言遗爱，空知念旧游。

　　凭君吟此句，题向望涛楼。

　　1、临江仙西湖春泛

　　作者·赵溍

　　堤曲朱墙*远，山明碧瓦高低。好风二十四花期。骄总穿柳去，文艗挟春飞。

　　箫鼓晴雷殷殷，笑歌香雾霏霏，间情不受酒禁持。断肠无立处，斜日欲归时。

　　2、满庭芳（西湖）

　　作者·吴潜

　　春水溶溶，春山漠漠，淡烟浅罩轻笼。危楼阑槛，掠面小东风。又是飞花落絮，芳草暗、万绿成丛。闲徙倚，百年人事，都在画船中。

　　故园，无恙否，一溪翠竹，两径苍松。更有鱼堪钓，有秫堪舂。底事尘驱物役，空回首、社燕秋鸿。功名已，萧骚短鬓，分付与青铜。

　　3 、采桑子荷花开后西湖好

　　作者·欧阳修

　　荷花开后西湖好，载酒来时。不用旌旗。前后红幢绿盖随。

　　画船撑入花深处，香泛金卮。烟雨微微。一片笙歌醉里归。

　　4 、满江红（雨后携家游西湖，荷花盛开）

　　作者·陈三聘

　　绀谷浮空，山拥髻、晚来风急。吹骤雨、藕花

　　千柄，艳妆新浥。窥鉴粉光犹有泪，凌波罗袜何曾湿。讶汉宫、朝罢玉皇归，凝情立。

　　尊前恨，歌三叠。身外事，轻飞叶。怅当年空系，誓江孤楫。云色远连*野尽，夕阳偏傍疏林入。看月明、冷浸碧琉璃，君须吸。

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含有西字的古诗词 带西字的诗词名句

昨夜西风凋碧树，独上高楼，望尽天涯路。——晏殊《蝶恋花·槛菊愁烟兰泣露》

溪云初起日沉阁，山雨欲来风满楼。——许浑《咸阳城东楼 / 咸阳城西楼晚眺 / 西门》

被酒莫惊春睡重，赌书消得泼茶香，当时只道是寻常。——纳兰性德《浣溪沙·谁念西风独自凉》

世事短如春梦，人情薄似秋云。——朱敦儒《西江月·世事短如春梦》

枯藤老树昏鸦，小桥流水人家，古道西风瘦马。——马致远《天净沙·秋思》

山外青山楼外楼，西湖歌舞几时休？——林升《题临安邸》

南风知我意，吹梦到西洲。——佚名《西洲曲》

韶华不为少年留，恨悠悠，几时休？——秦观《江城子·西城杨柳弄春柔》

昨夜星辰昨夜风，画楼西畔桂堂东。——李商隐《无题·昨夜星辰昨夜风》

云中谁寄锦书来，雁字回时，月满西楼。——李清照《一剪梅·红藕香残玉簟秋》

愿为西南风，长逝入君怀。——曹植《七哀诗》

东边日出西边雨，道是无晴却有晴。——刘禹锡《竹枝词二首·其一》

谁念西风独自凉，萧萧黄叶闭疏窗，沉思往事立残阳。——纳兰性德《浣溪沙·谁念西风独自凉》

海水梦悠悠，君愁我亦愁。——佚名《西洲曲》

山重水复疑无路，柳暗花明又一村。——陆游《游山西村》

劝君更尽一杯酒，西出阳关无故人。——王维《渭城曲 / 送元二使安西》

七八个星天外，两三点雨山前。——辛弃疾《西江月·夜行黄沙道中》

春潮带雨晚来急，野渡无人舟自横。——韦应物《滁州西涧》

莫道不销魂，帘卷西风，人比黄花瘦。——李清照《醉花阴·薄雾浓云愁永昼》

从此无心爱良夜，任他明月下西楼。——李益《写情》

世事一场大梦，人生几度秋凉？——苏轼《西江月·世事一场大梦》

故人西辞黄鹤楼，烟花三月下扬州。——李白《黄鹤楼送孟浩然之广陵》

稻花香里说丰年。听取蛙声一片。——辛弃疾《西江月·夜行黄沙道中》

可怜无定河边骨，犹是春闺梦里人。——陈陶《陇西行四首》

我是清都山水郎，天教分付与疏狂。——朱敦儒《鹧鸪天·西都作》

中秋谁与共孤光。把盏凄然北望。——苏轼《西江月·世事一场大梦》

欲把西湖比西子，淡妆浓抹总相宜。——苏轼《饮湖上初晴后雨二首·其二》

功名万里外，心事一杯中。——高适《送李侍御赴安西》

我寄愁心与明月，随君直到夜郎西。——送别|友情|感怀《闻王昌龄左迁龙标遥有此寄》

无言独上西楼，月如钩。寂寞梧桐深院锁清秋。——李煜《相见欢·无言独上西楼》

恨君不似江楼月，南北东西，南北东西，只有相随无别离。——吕本中《采桑子·恨君不似江楼月》

谁道人生无再少？门前流水尚能西！休将白发唱黄鸡。——苏轼《浣溪沙·游蕲水清泉寺》

满载一船秋色，*铺十里湖光。——张孝祥《西江月·阻风山峰下》

日暮酒醒人已远，满天风雨下西楼。——许浑《谢亭送别》

西塞山前白鹭飞，桃花流水鳜鱼肥。——张志和《渔歌子·西塞山前白鹭飞》

相见争如不见，多情何似无情。——司马光《西江月·宝髻松松挽就》

毕竟西湖六月中，风光不与四时同。——杨万里《晓出净慈寺送林子方》

渭城朝雨浥轻尘，客舍青青柳色新。——王维《渭城曲 / 送元二使安西》

明月别枝惊鹊，清风半夜鸣蝉。——辛弃疾《西江月·夜行黄沙道中》

千磨万击还坚劲，任尔东西南北风。——郑燮《竹石》

人世几回伤往事，山形依旧枕寒流。——刘禹锡《西塞山怀古》

不识庐山真面目，只缘身在此山中。——苏轼《题西林壁》

西风吹老洞庭波，一夜湘君白发多。——唐温如《题龙阳县青草湖》

忆君心似西江水，日夜东流无歇时。——鱼玄机《江陵愁望寄子安》

休言万事转头空，未转头时皆梦。——苏轼《西江月·*山堂》

窗含西岭千秋雪，门泊东吴万里船。——杜甫《绝句》

悠悠天宇旷，切切故乡情。——张九龄《西江夜行》

一别如斯，落尽梨花月又西。——纳兰性德《采桑子·当时错》

青山遮不住，毕竟东流去。——辛弃疾《菩萨蛮·书江西造口壁》

君不见走马川行雪海边，*沙莽莽黄入天。——岑参《走马川行奉送出师西征 / 走马川行奉送封大夫出师西征》

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古诗的自我介绍

　　蜕变的我 我看见了自己 看到一个蜕变的自己

　　体内被新陈代谢

　　体外貌然一新

　　脑袋里的思想

　　已经被格式化更新

　　心肺象被掏空似的

　　学会了安静

　　灵魂会自我独白

　　生活工作及朋友圈

　　样样进入刷屏似的叠加更新

　　所有

　　所有的一切

　　所有所有的一切

　　都在更换个不停

　　没有人相信

　　也不需要谁信与不信

　　只需尽情升级更新

　　让这一切的一切

　　蜕变的自然

　　而又有些惊喜

　　人生出现拐点时

　　如同

　　行驶的车辆不能过于急刹

　　需要慢慢减行

　　慢慢减行

　　给自己一个稳定

　　建一个属于自己的缓冲区

　　自由的缓冲区域

　　新的开始

　　需要这样的演变过程 我在真真切切

　　感受着自己的神奇

　　享受着重生时脱变的经历

　　象苏醒的轻灵

　　居高可藐视芸芸众生 俯首可窥视蝼蚁群雄 人生巨变

　　感悟雄鹰重生的艰辛 感受鸡蛋由内而破的秘密 感知蜕变时鲜嫩的自己

　　此时的我

　　外人只知神采奕奕 此刻的自己清楚自己 此时此刻的我

　　正在向目标更新

　　没有人相信

　　也不需要谁

　　信与不信

　　这是我的秘密

　　我的秘密

　　我要让所有人

　　看到将来崭新的自己

[的自我介绍]

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《黄鹤楼》古诗介绍

《黄鹤楼》古诗介绍

　　导语：《黄鹤楼》是唐代诗人崔颢创作的一首七言律诗，被选入《唐诗三百首》。此诗描写了在黄鹤楼上远眺的美好景色，是一首吊古怀乡之佳作。下面由小编为大家整理的《黄鹤楼》古诗介绍，希望可以帮助到大家！

　　黄鹤楼

　　唐代：崔颢

　　昔人已乘黄鹤去，此地空余黄鹤楼。

　　黄鹤一去不复返，白云千载空悠悠。

　　晴川历历汉阳树，芳草萋萋鹦鹉洲。

　　日暮乡关何处是？烟波江上使人愁。

　　注释

　　1、黄鹤楼：故址在湖北省武汉市武昌区，民国初年被火焚毁，1985年重建，传说古代有位名叫费祎的仙人，在此乘鹤登仙。

　　2、昔人：指传说中的仙人子安。因其曾驾鹤过黄鹤山〔又名蛇山〕，遂建楼。

　　3、乘：驾。

　　4、去：离开。

　　5、空：只。

　　6、返：通返，返回。

　　7、空悠悠：深，大的`意思

　　8、悠悠：飘荡的样子。

　　9、川：*原。

　　10、历历：清楚可数。

　　11、汉阳：地名，现在湖北省武汉市汉阳区，与黄鹤楼隔江相望。

　　12、萋萋：形容草木长得茂盛。

　　13、鹦鹉洲：在湖北省武汉市武昌区西南，根据后汉*载，汉黄祖担任江夏太守时，在此大宴宾客，有人献上鹦鹉，故称鹦鹉洲。唐朝时在汉阳西南长江中，后逐渐被水冲没。

　　14、乡关：故乡。

　　译文

　　过去的仙人已经驾着黄鹤飞走了，这里只留下座空荡荡的黄鹤楼。

　　黄鹤一去再也没有回来，千百年来只看见悠悠的白云。

　　阳光照耀下的汉阳树木清晰可见，鹦鹉洲上有一片碧绿的芳草覆盖。

　　天色已晚，眺望远方，故乡在哪儿呢？眼前只见一片雾霭笼罩江面，给人带来深深的愁绪。

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春晓的古诗介绍

春晓的古诗介绍

　　《春晓》是唐代诗人孟浩然隐居在鹿门山时所作，诗人抓住春天的早晨刚刚醒来时的一瞬间展开联想，描绘了一幅春天早晨绚丽的图景，以下是小编收集的古诗相关内容，欢迎查看！

　　春晓

　　春眠不觉晓⑴，处处闻啼鸟⑵。

　　夜来风雨声⑶，花落知多少⑷。

　　词句注释

　　⑴不觉晓：不知不觉天就亮了。晓：早晨，天明，天刚亮的时候。

　　⑵闻：听见。啼鸟：鸟啼，鸟的啼叫声。

　　⑶“夜来”句：一作“欲知昨夜风”。

　　⑷“花落”句：一作“花落无多少”。知多少：不知有多少。知：不知，表示推想。

　　白话译文

　　春天睡醒不觉天已大亮，到处是鸟儿清脆的叫声。

　　回想昨夜的阵阵风雨声，吹落了多少芳香的春花。

　　创作背景

　　这首诗是唐代诗人孟浩然的作品。孟浩然早年隐居鹿门山，*长安谋求官职，考进士不中，还归故乡。《春晓》即是他隐居鹿门山时所作。

　　作品鉴赏

　　《春晓》这首小诗，初读似觉*淡无奇，反复读之，便觉诗中别有天地。它的艺术魅力不在于华丽的辞藻，不在于奇绝的艺术手法，而在于它的韵味。整首诗的风格就像行云流水一样*易自然，然而悠远深厚，独臻妙境。千百年来，人们传诵它，探讨它，仿佛在这短短的四行诗里，蕴涵着开掘不完的艺术宝藏。

　　自然而无韵致，则流于浅薄；若无起伏，便失之*直。《春晓》既有悠美的韵致，行文又起伏跌宕，所以诗味醇永。诗人要表现他喜爱春天的感情，却又不说尽，不说透，“迎风户半开”，让读者去捉摸、去猜想，处处表现得隐秀曲折。

　　“情在词外曰隐，状溢目前曰秀。”（张戒《岁寒堂诗话》引）写情，诗人选取了清晨睡起时刹那间的感情片段进行描写。这片段，正是诗人思想活动的启始阶段、萌芽阶段，是能够让人想象他感情发展的最富于生发性的顷刻。诗人抓住了这一刹那，却又并不铺展开去，他只是向读者透露出他的心迹，把读者引向他感情的轨道，就撒手不管了，剩下的，该由读者沿着诗人思维的方向去丰富和补充了。写景，他又只选取了春天的一个侧面。春天，有迷人的色彩，有醉人的芬芳，诗人都不去写。他只是从听觉角度着笔，写春之声：那处处啼鸟，那潇潇风雨。鸟声婉转，悦耳动听，是美的。加上“处处”二字，啁啾起落，远*应和，就更使人有置身山*上，应接不暇之感。春风春雨，纷纷洒洒，但在静谧的春夜，这沙沙声响却也让人想见那如烟似梦般的凄迷意境，和微雨后的众卉新姿。这些都只是诗人在室内的耳闻，然而这阵阵春声却逗露了无边春色，把读者引向了广阔的大自然，使读者自己去想象、去体味那莺啭花香的烂熳春光，这是用春声来渲染户外春意闹的美好景象。这些景物是活泼跳跃的，生机勃勃的.。它写出了诗人的感受，表现了诗人内心的喜悦和对大自然的热爱。

　　宋人叶绍翁《游园不值》诗中的“春色满园关不住，一枝红杏出墙来”，是古今传诵的名句。其实，在写法上是与《春晓》有共同之处的。叶诗是通过视觉形象，由伸出墙外的一枝红杏，把人引入墙内、让人想象墙内；孟诗则是通过听觉形象，由阵阵春声把人引出屋外、让人想象屋外。只用淡淡的几笔，就写出了晴方好、雨亦奇的繁盛春意。两诗都表明，那盎然的春意，自是阻挡不住的，你看，它不是冲破了围墙屋壁，展现在你的眼前、萦回在你的耳际了吗？

　　施补华曰：“诗犹文也，忌直贵曲。”（《岘佣说诗》）这首小诗仅仅四行二十个字，写来却曲屈通幽，回环波折。首句破题，“春”字点明季节，写春眠的香甜。“不觉”是朦朦胧胧不知不觉。在这温暖的春夜中，诗人睡得真香，以至旭日临窗，才甜梦初醒。流露出诗人爱春的喜悦心情。次句写春景，春天早晨的鸟语。“处处”是指四面八方。鸟噪枝头，一派生机勃勃的景象。“闻啼鸟”即“闻鸟啼”，古诗为了押韵，词序作了适当的调整。三句转为写回忆，诗人追忆昨晚的潇潇春雨。末句又回到眼前，联想到春花被风吹雨打、落红遍地的景象，由喜春翻为惜春，诗人把爱春和惜春的情感寄托在对落花的叹息上。爱极而惜，惜春即是爱春──那潇潇春雨也引起了诗人对花木的担忧。时间的跳跃、阴晴的交替、感情的微妙变化，都很富有情趣，能给人带来无穷兴味。

　　《春晓》的语言*易浅*，自然天成，一点也看不出人工雕琢的痕迹。而言浅意浓，景真情真，就像是从诗人心灵深处流出的一股泉水，晶莹透澈，灌注着诗人的生命，跳动着诗人的脉搏。读之，如饮醇醪，不觉自醉。诗人情与境会，觅得大自然的真趣，大自然的神髓。“文章本天成，妙手偶得之”，这是最自然的诗篇，是天籁。

　　名家点评

　　《王孟诗评》：刘风流闲美，正不在多。以诗*词，太以纤丽故。

　　《唐诗广选》：顾云：真景实情，人说不到。高兴奇语，唯吾孟公。

　　《唐诗归》：钟云：通是猜境，妙！妙！

　　《唐诗解》：昔人谓诗如参禅，如此等语，非妙悟者不能道。

　　《唐诗镜》：喁喁恹恹，绝得闺中体气，宛是六朝之余，第骨未峭耳。

　　《唐诗选》：玉遮曰：“知多少”，正是“不觉晓”妙处。

　　《唐诗选脉会通评林》：周珽曰：晓景喧媚，莫卜夜无寂寞。惜春心绪，有说不出之妙。周敬曰：二十字清声婉约。

　　《唐诗笺要》：朦胧臆想，构此幻境。“落多少”可以不说，又不容不说，诚非妙悟，不能有此。

　　《而庵说唐诗》：做上二句便煞住笔，复停想到昨夜去，又到花上来，看他用笔不定，瞻之在前，忽然在后矣。或问：何不写“夜来”在前？曰：看题中“晓”字。“处处闻啼鸟”下若再连一笔，则便不算晓矣，故特转到晓之前下“夜来”二字。“风雨声”紧跟上“闻”字，“晓”字便隔寻丈。其作“晓”精微有若此。

　　《唐诗笺注》：诗到自然，无迹可寻。“花落”句含几许惜春意。

　　《诗法易简录》：亦具一气流转之妙。

　　《历代诗评注读本》：描写春晓，而含有一种惋惜之意。惜落花乎？惜韶光耳。

　　《唐人绝句精华》：此古今传诵之作，佳处在人人所常有，唯浩然能道出之。闻风雨而惜落花，不但可见诗人清致，且有屈子“哀众芳之零落”之感也。

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