介绍西安的古诗句

西安城墙的介绍

西安城墙的介绍

　　西安城墙又称西安明城墙，是*现存规模最大、保存最完整的古代城垣 ，是第一批全国重点文物保护单位、国家AAAAA级旅游景区。以下是小编为大家搜集整理的西安城墙的介绍，希望大家喜欢。

　　城墙介绍

　　早在明王朝建立前，当朱元璋攻克徽州后，一个名叫朱升的隐士便告诉他应该高筑墙，广积粮，缓称王。朱元璋采纳了这些建议。当全国统一后，他便命令各府县普遍筑城。朱元璋以为天下山川，唯秦中号为险固。西安古城垣就是在这个建城的热潮中，由都督濮英主持，在唐皇城旧城基础上扩建起来。

　　明代扩建后的西安城墙高12米，顶宽12-14米，底宽15-18米，周长约13.7公里。城墙每隔120米修敌台一座，突出在城墙之外，顶与城墙面*。这是专为射杀爬城的敌人设置的。敌台之间距离的一半，恰好在弓箭的有效射程之内，便于从侧面射杀攻城的敌人。城墙上共有敌台98座，上面都建有驻兵的敌楼。

　　古代武器落后，城门又是唯一的出入通道，因而这里是封建统治者苦心经营的防御重点。西安城东、西、南、北四座城门，分别有正楼、箭楼、闸楼三重城门。闸楼在最外，其作用是升降吊桥，箭楼在中，正面和两侧设有方形窗口，供射箭用。正楼在最里，是城的正门。箭楼与正楼之间用围墙连接，叫瓮城，是屯兵的地方。瓮城中还有通向城头的马道，缓上无台阶，便于战马上下。全城还建有马道11处。城墙四角都有突出城外的角台。除西南角是圆形，可能是保持唐皇城转角原状外，其它都是方形。角台上修有较敌台更为高大的角楼，表明了这里在战争中的重要地位。

　　城墙上外侧筑有雉堞，又称垛墙，共5984个，上有垛口，可射箭和了望。内侧矮墙称为女墙，无垛口，以防兵士往来行走时跌下。

　　最初的西安城墙完全用黄土分层夯打而成，最底层用土、石灰和糯米汁混合夯打，异常坚硬。后来又将整个城墙内外壁及顶部砌上青砖。城墙顶部每隔40-60米有一道用青砖砌成的水槽，用于排水，对西安古城墙的.长期保护起了非常重要的作用。

　　城四周环绕着又宽又深的城河，正对城门处设有可以随时起落的吊桥。吊桥一升起，进出城的通路便被截断。

　　明代西安城垣曾是一个庞大而精密的军事防御体系，也是我国现存最完整的一座古城堡。西安古城堡显示了我国古代劳动人民的聪明才智，也为我们研究明代的历史、军事和建筑等提供了不可多得的实物资料。

　　到达与离开：

　　1、可在西安火车站就*从尚德门游览城墙

　　2、市内乘坐321、323、402、405、K600等公交车至“南门站”下车后，从南门登城墙

　　景点类型：历史建筑

　　最佳季节：3月-6月和9月-11月为宜。西安属季风气候，春秋两季既无严寒又无酷暑，最适合出行。7、8两月太热，不适合游览，如果是夏季，尽量选择早晨或者落日后上古城墙。

　　建议游玩：1-3小时

　　门票：40.00元

　　开放时间：08:00~20:00

　　地址：陕西省西安市中心区

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介绍西安的英语导游词

介绍西安的英语导游词（精选13篇）

　　作为一位出色的导游人员，通常需要准备好一份导游词，导游词作为一种解说的文体，它的作用是帮助游客在旅游的同时更好地理解所旅游的景点包含的文化背景和历史意义。导游词要怎么写呢？以下是小编为大家整理的介绍西安的英语导游词，仅供参考，大家一起来看看吧。

　　Xi'an is a beautiful city with a very colorful history.There are so many famous buildings in xian,such as clay sulelievs,Banpo village museum and so on.If one day you come to Xi'an,you'd better visit some places of interest,so that you can learn more knowledges about this city.At last,I'm sure that you can have a great time in Xi'an.

　　译：西安是座有着悠久历史的`城市，这里有许多的著名建筑，比如说兵马俑，半坡博物馆等等。如果有天你来到西安，你最好去参观名胜古迹，以便你可以学到更多有关于这座城市的知识。最后，我相信你在西安会玩的开心

　　Xi'an (Chinese:西安),is the capital of the Shanxi province in the People's Republic of China .As one of the oldest cities in Chinese history,Xi'an is one of the Four Great Ancient Capitals of China because it has been the capital of some of the most important dynasties in Chinese history,including the Zhou,Qin,Han,the Sui,and Tang dynasties.Xi'an is the eastern end of the Silk Road .The city has more than 3,100 years of history,and was known as Chang'an (traditional Chinese:长安).

　　Long holidays are usual during Spring Festival,Labor Holiday (1-7 May),and National Holiday (1-7 October).The number of travellers is often greater during Summer (May-August),although the most pleasant season for visiting Xi'an is Autumn.

　　Some of the most well-known sites in Xi'an are:The city is surrounded by a well-preserved City wall of Xi'an which was re-constructed in the 14th century during the early Ming Dynasty and was based on the inner imperial palace of Tang Dynasty.The Mausoleum of Qin Shi Huang and his Terracotta Army are located 40 km to the east of the city centre,in the city's suburbs.The Bell Tower and Drum Tower,both are located at the city's central axis.The city's Muslim quarter,which is home to the Great Mosque of Xi'an.The Giant Wild Goose Pagoda and Small Wild Goose Pagoda are both spectacular towers and both are well over 1,000 years old and have survived great earthquakes.The former is next to a large square with the largest fountain in Asia which projects water high into the air,rising and falling in time to music during one of the daily performances (usually at noon and soon after sunset).They protected Buddhist writings in the past.

　　The Stele Forest is famous for its numerous historic inscriptions and stoneworksThe Famen Temple and its towering pagoda located on the city's outskirtXi Ming TempleWolong Temple at Kaitong laneXingjiao Temple at Shaolin Yuan (where Xuanzang's Tomb lies)Jianfu TempleBlue Dragon TempleWangji TempleThe Banpo Neolithic village is located on the outskirt of the city properThe Qianling Mausoleum,one of the many Tang Dynasty era tombs located in Xi'anThe Shaanxi History Museum has a large collection of artifacts both modern and ancient.Mount Hua is one of the most visited and steepest mountains in the countryMount Zhongnan (终南山)Mount TaibaiMount LiHuaqing Hot Springs (华清池),at the foot of Mt.Lishan,have a history of 6,000 years,the adjacent Huaqing Palace has a history of 3,000 years.Ranked among the Hundred Famous Gardens in China,it also has the status as a National Cultural Relic Protection Unit and a National Key Scenic Area.

　　Hello, everyone! Welcome to Datang Furong garden! The completion of Datang Furong garden in 2004 shocked the Chinese people and surprised the world. The builders cast the essence of Tang culture into the garden architecture of Datang Furong garden, so that every landscape is pregnant with rich cultural spirituality. They tell the legend of Tang Empire and lead us into the dreamlike holy land of Datang.

　　Culture is the bridge between us and the Tang people in the 21st century. How does today's Tang Furong garden embody the sacred magnificence and brilliance of the royal culture of the prosperous Tang Dynasty? This trip will help you to understand this cultural phenomenon and give you a golden key to dream back to the prosperous Tang Dynasty.

　　Datang Furong garden covers an area of 1000 mu, including 300 mu of water area, 440 mu of green space, nearly 160 mu of road and square, with a total construction area of nearly 100000 square meters. With a total investment of 1.3 billion yuan, it is the first large-scale royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty in an all-round way. Master Zhang Jinqiu, academician of the Chinese Academy of engineering, is responsible for the overall planning, while Mr. Akiyama Akiyama, a Japanese national treasure master, is responsible for the park planning. It is the first five senses theme park in China, with the world's largest imitation Tang royal building complex, the world's largest outdoor incense project, the country's largest imitation Tang banquet development base - Yuyan palace and so on.

　　Here, you can not only see the world's largest water screen movie "Qi Tian Da Sheng", but also enjoy a large Dream Poetry and dance drama "dream back to the Tang Dynasty" which is elaborately made and contains the charm of the prosperous Tang Dynasty in Fengming Jiutian theater.

　　Furong garden is divided into four gates. Each gate has its name and meaning. It is the so-called "one gate, one landscape, one culture, one feature, one theme".

　　There are many scenic spots in the park, such as Ziyun building, ladies' hall, royal banquet palace, Apricot Garden, Fanglin garden, Fengming Jiutian theater, Tang City, etc., which can be divided into 14 scenic spots, including imperial culture, women's culture, poetry culture, imperial examination culture, tea culture, song and dance culture, food culture, folk culture, diplomatic culture, Buddhist culture, Taoist culture, children's entertainment, gate landscape culture, water show culture, etc The cultural zone is a new tourist attraction, which is known as "the shock of Chinese people, the wonder of the world". Tang Furong garden was officially opened to the outside world on April 11, 2005 (the third day of the third month of the third lunar month). When it opened, it ushered in a number of important figures such as former KMT x x Lien Chan and PFP x x James Soong.

　　"The weather is new on March 3, and there are many beautiful people near the water in Chang'an.".

　　In ancient times, there happened to be a low-lying area between leyouyuan and Shaolingyuan in the south. Due to long-term accumulation of water, a lake naturally formed. It was named qujiangchi because its water was like Guangling river. During the Qin and Han Dynasties, the royal garden was built in this area. After the Han Dynasty, wars broke out frequently and the water dried up gradually. In the Sui Dynasty, the Quchi was dug again to form the Royal Garden "Furong garden". In Tang Dynasty, the diversion c*** was expanded on a large scale, making it a royal garden and a public natural scenic spot. Every spring, the willows are green and the warblers sing and the swallows dance. Chang'an citizens come here more often. In order to make it convenient for the emperor to travel, a Jiacheng is specially built to lead to Furong garden. Qujiang has become a place for the royal family, nobles, scholars and common people to enjoy spring in Chang'an city. The wandering wanderer's memory of Chang'an is a symbol of the prosperous Tang Dynasty.

　　With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It will take you to the only cultural journey of the prosperous Tang Dynasty in China.

　　When we come to Tang Furong garden, we have to talk about Xi'an Qujiang tourist resort. Xi'an Qujiang tourist resort is a provincial tourist resort, which integrates sightseeing, vacation, recreation, business and villa, covering an area of 15.88 square kilometers. The park is rich in scenic resources. Centered on the magnificent Dayan Pagoda and Ci'en Temple, the built Tang Dynasty Art Museum, Tanghua Hotel and Tang Song and dance hall show the style of Tang Dynasty architecture. The botanical garden, bonsai garden, Chunxiao garden, rose garden and Qingliu garden show the beautiful scenery of Chang'an garden; International Food City and other tourism facilities provide services and convenience for domestic and foreign tourists in leisure, entertainment and catering. Tang Furong garden is designed by Zhang Jinqiu, academician of Chinese Academy of engineering and famous landscape architect in China, and by Akita Hiro, a world-class master in Japan.

　　Located in Qujiang New District of Xi'an City, Datang Furong garden covers an area of 1000 mu, including 300 mu of water surface, with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site, and is also the first large royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty. It includes many scenic spots, such as Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin, etc. Tang Furong garden has set a number of records in the history of China and even the world: it has the largest waterscape performance in the world, the first "five senses" (namely vision, hearing, smell, touch and taste) theme park, the largest outdoor fragrance project in the world, and the largest imitative Tang royal architectural complex in China, integrating Chinese garden and architectural art.

　　What are the characteristics of Tang Furong garden? First of all, the park is full of Tang culture. The sculptures and poems in the park are representatives of the prosperous Tang Dynasty, and the copies of Tang cultural relics reflect the characteristics of Tang; The second is the nearly 80000 square meters of Tang style architecture, which is the largest Tang style architecture community in the world. All of them are restored according to the original buildings, and all the architectural forms of Tang Dynasty are concentrated, which is a complete Tang Dynasty architecture textbook. The second is the 60 million yuan Lake fountain, which is also the largest water curtain film in the world; Finally, the performance of Lake Hu square, the dream of the Tang Dynasty, is composed by Zhao Jiping, a famous composer. It is an artistic essence of music, dance, music, poetry and recitation.

　　In fact, since ancient times, Qujiang has a profound historical landscape cultural background. The history of Qujiang can be traced back to the Qin Dynasty, when there was a famous Li palace named "Yichun Xiayuan". Sima Xiangru, a writer of the Western Han Dynasty, vividly described the natural scenery of Qujiang in his famous piece "Shanglin Fu".

　　Daxing City, the capital of Sui Dynasty, was built on Qujiang River. Emperor Wen of Sui Dynasty was suspicious and superstitious. Daxing city is high in the southeast and low in the northwest. Fengshui tends to the southeast. The harem is located in the middle of the north side, and it can't surpass the southeast in the terrain. Some people suggest that we should take the method of "weariness of victory" to get rid of it. If Qujiang is dug into a deep pool and separated from the city, it will be enclosed as a royal Forbidden Garden and become a place for emperors to play. In this way, the spirit of the king of the Sui Dynasty will never be threatened. Fortunately, there is a natural form of water circulation in Qujiang River. With a little renovation, it can become a place of beautiful scenery. In 583 ad, Emperor Wen of the Sui Dynasty officially moved to the new capital. When Emperor Wen of the Sui Dynasty moved to the new capital, he felt that "Qu" was unlucky, so he ordered his Prime Minister Gao Xun to change the name of the royal garden. One night, Gao Xun suddenly remembered that the lotus in Qujiang pool was in full bloom and extremely red. The lotus was called Furong, so he renamed Qujiang as "Furong garden". After a transformation in the early Sui Dynasty, Qujiang reappeared as a royal garden on the historical stage, and got a new name -- Furong garden. At the same time, it is closely connected with the capital Daxing city. The downstream of the pool flows into the city, which is one of the sources of water for the southeast of the city. In the era of emperor Yang of Sui Dynasty, Huang Guan carved various water ornaments in Qujiang pool, and the monarchs and ministers enjoyed the Qujiang drink by the Qujiang pool. He introduced the story of literati's Qujiang drinking cup in Wei, Jin, southern and Northern Dynasties into the palace, endowed Qujiang with a kind of humanistic spirit, and laid a foundation for the formation and development of Qujiang culture in Tang Dynasty.

　　On the basis of Furong garden in Sui Dynasty, the construction scale and cultural connotation of Qujiang garden were expanded in Tang Dynasty. In addition to the reconstruction of ziyunlou, caixiating, liangtang and Penglai mountain in Furong garden, the Yellow c*** of large-scale water conservancy project was excavated to expand the water surface of Furong pool and Qujiang pool. It became a place for royal families, monks and civilians to gather and visit. Qujiang Liuyin, Xingyuan Guanyan, Yanta title, Yueyou Denggao and other literary stories about the population in ancient Chinese history all took place here. Qujiang changed greatly in the Tang Dynasty, and became the only public garden in Chang'an City, the capital of the Tang Dynasty. It reached the most prosperous period in its development history, became the gathering place of Tang culture and the landmark area of Chang'an, the capital of the Tang Dynasty, and also played the strongest voice of Chinese culture.

　　"Jiangtou palace locks thousands of doors, for whom is Xiliu Xinpu green?" After the reign of Emperor Taizong of Tang Dynasty, the later dynasties, such as Emperor Gaozong and Emperor Ruizong, began to take great actions here, which laid the foundation for the prosperity of Tang culture. Emperor Xuanzong of Tang Dynasty expanded Qujiang on a large scale, which made it unprecedented and reached the peak of its garden construction. In Furong garden, the imperial Forbidden Garden, Xuanzong built Ziyun building, Caixia Pavilion, Linshui Pavilion, Shuidian, shanlou, Penglai mountain, liangtang and other buildings, and built a Jiacheng, 7960 meters long and 50 meters wide, from Daming Palace through Xingqing palace to Furong garden. After the expansion of Emperor Xuanzong of Tang Dynasty, the Furong garden has many palaces and pavilions. The garden buildings in Qujiang reach the highest level, and all kinds of cultural activities tend to climax. With the destruction of Chang'an city at the end of Tang Dynasty, all kinds of garden buildings were destroyed, and all kinds of cultural activities were gradually silent, so that some of them finally disappeared and could not be traced. Qujiang, a public garden area where civilians gather to visit, is not only unprecedented in the history of the ancient capital Xi'an, but also unique in ancient Chinese history.

　　Located on the side of the wild goose pagoda in the ancient capital Xi'an, Tang Furong garden is the first large-scale royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty in an all-round way. As early as in history, Furong garden is a famous royal garden. Today's Tang Furong garden is built on the original Tang Furong garden site. It is set against the background of "going into history, experiencing humanity and experiencing life", showing the splendid civilization of the Tang Dynasty.

　　The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots. Every day, there are various wonderful performances in the scenic spots of the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, Shaolin martial arts performance, lion dance, stilt, acrobatics and so on. The world's largest water screen movie, which is staged every night, integrates music fountain, laser, flame, mine and water mist, bringing tourists a three-dimensional feeling of shock.

　　The theme of the park is to perform a large-scale dream poem and dance drama "dream back to the Tang Dynasty", which is grand and fantastic. It was once invited to perform in Singapore, and was warmly received and highly praised by Singapore president Nathan, Lee Hsien Loong and Cabinet Minister Lee Kuan Yew. Every holiday, there are all kinds of theme activities to bring you 365 days of surprise and joy. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It will take you to the only cultural journey of the prosperous Tang Dynasty in China.

　　Datang Furong garden is located in Qujiang New District of Xi'an city. It covers an area of 1000 mu, including 300 mu of water surface with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site. It is the first large-scale royal garden style cultural theme park in China to show the style of the prosperous Tang Dynasty in an all-round way. Including Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin and many other attractions. Datang Furong garden has set many records, has the largest waterscape performance in the world, is the first "five senses" (i.e. vision, hearing, smell, touch and taste) theme park, has the largest outdoor fragrance project in the world, and is the largest imitation Tang royal building complex in China, integrating Chinese garden and architectural art.

　　As early as in history, Furong garden is a famous royal garden. In 583 A.D., Emperor Wen of Sui dynasty built "Furong garden" here. Today's Tang Furong garden is built on the original Tang Furong garden site, with a total construction area of nearly 100000 square meters, including pavilions, platforms, buildings, pavilions, pavilions, bridges and corridors. The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies' hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots.

　　The Tang style ancient architecture in the garden ranks first in China in terms of architectural scale and is the largest architectural complex in the world. It concentrates all the architectural forms of the Tang Dynasty, which is a complete Tang Dynasty architectural textbook. Tang Furong garden follows the principle that ancient architecture should prolong life, not rejuvenate. The design of building materials adopts the combination of brick and tile concrete structure and wood structure, which not only preserves the original appearance of the buildings in the Tang Dynasty, but also makes the ancient buildings undamaged for a long time.

　　In addition, Tang Furong garden uses various forms of expression to fully and naturally display the culture of the prosperous Tang Dynasty. We can not only appreciate the sacred and magnificent royal culture, but also see the grand guard of honor of the Tang Dynasty, such as "a hundred emperors' tour of Qujiang", as well as the theme activities such as exploring flowers in Apricot Garden, naming the wild goose pagoda, drinking in Qujiang River, and being an official. Entering Furong garden, every building and landscape has charming allusions and legends. During the stroll, the tall classical buildings and sparkling lights are dazzling. It seems that since the moment I stepped into the gate, I have turned the space and time and dreamt back to the Tang Dynasty.

　　The construction of Tang Furong garden is the epitome of Chinese garden and architectural art, especially the royal garden with the style of prosperous Tang Dynasty, which once attracted the attention of the world. The design and construction of Tang style architecture and landscape design inherit and develop the construction of Chinese classical architecture and garden. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It is known as "the garden of Chinese history, spirit, nature, humanity and art". It symbolizes the great era of the rise of China and is the totem of China's prosperity in the new century.

　　Located in the southeast of Dayan Pagoda, Tang Furong garden was built on the original Tang Dynasty Royal Furong garden site. Today, it has the largest imitation Tang architecture group in China. Come here to enjoy the magnificent imitation Tang architecture, the beautiful scenery set off by the lights, and the song and dance dream back to the Tang Dynasty with the style of the prosperous Tang Dynasty.

　　Taking Furong Lake as the geographical center, Tang Furong garden is surrounded by many scenic spots such as ziyunlou, Luyu tea house and Fengming Jiutian theater. The park is further divided into 12 cultural theme areas, which represent the splendid civilization of the Tang Dynasty from the aspects of emperors, poetry, folk, food, singing and dancing.

　　The night scene in the garden is also very bright. When the night falls and the lights begin to shine, you can see the splendid Tang culture corridor, Fanglin garden, Ziyun building and other places. Against the moonlight and lights, Tang Furong garden is more elegant.

　　There will also be wonderful performances in the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, etc. The world's largest water screen movie, staged every night in the north square of ziyunlou, will bring you a new three-dimensional shock. And the large-scale dance drama "dream back to the Tang Dynasty" staged in Fengming Jiutian theater is a music and dance performance integrating the style of the prosperous Tang Dynasty and the essence of song and dance. For more performances, please refer to the official website.

　　To visit Furong garden, it is recommended to enter the garden from the west gate (also known as yuyuanmen). After entering the garden, follow the lakeside path and circle the Furong Lake clockwise to visit various scenic spots. In the evening, I went back to the Fengming Jiutian theater near the south gate to enjoy the dream of the Tang Dynasty. In the evening, I watched the water curtain movie in the ziyunlou square to the north of the theater.

　　Tang Furong garden is the first Tang culture theme park. The largest water screen film in the world. The largest artificial sculpture community in China. The world's largest and most advanced water fire landscape show. The longest corridor of Tang culture in China. "Dream back to the Tang Dynasty" large scale song and dance appreciation. The first five senses (vision, hearing, smell, touch and taste) park in China. The world's largest outdoor fragrance project.

　　Tang Furong garden is located in Qujiang New District, Southeast of Xi'an. It was built to the north of the original Tang Furong garden site, with a total investment of 1.3 billion yuan. It covers an area of 1000 mu, including 300 mu of water. It is a large-scale theme museum park with water as the core, integrating experience, sightseeing, leisure, catering and entertainment, and concentrating Tang culture. Zhang Jinqiu, academician of Chinese Academy of engineering, is responsible for overall planning and architectural design, while Akiyama Akiyama, a Japanese landscape architect, is responsible for landscape design. Tang Furong garden aims to build a "garden of history, spirit, nature, humanity and art". In particular, more than ten experts from Tang Literature Society of China, including Tang history, Tang poetry, Tang painting, Tang Jian, doctoral tutors, researchers and tourism experts, are invited to re excavate and reorganize the historical and cultural contents of Tang Furong garden The landscape of the park has been re planned and re positioned, and has been divided into 12 landscape cultural expression areas

　　1. The cultural theme of Damen: creating the spirit of flourishing age and dreaming back to the Empire of Tang Dynasty. Awe the tourists with grand momentum. You can see the grand scene of the Tang Dynasty. Emperor's hometown, dream back to Tang Dynasty. To achieve a theme, a feature, a landscape.

　　2. The theme of diplomatic culture: the spirit of inclusiveness. It shows the frequent exchange of diplomatic envoys from various countries at that time and the commercial cultural atmosphere of "merchants gathering, internal and external accommodation" among the people. It shows the prosperous scene of "four treasures, all gathered together" in front of the tourists, so that the tourists can personally feel the prosperous era of exchanges between the world and the Tang Empire in the prosperous Tang Dynasty.

　　3. Tea culture theme: three Lu Yu scriptures, seven Lu Tong tea, meeting friends in the window, savoring Zen tea, laughing at Qu Jiangbo, indifferent and detached. It shows the tea ceremony culture of Tang Dynasty. From the development history of world tea culture, both Japanese tea ceremony and Chinese tea ceremony originated in the Tang Dynasty. "Tea ceremony" began to spread and develop after it was put forward in Tang Dynasty.

　　hello everyone! My surname is su. You can call me "little Su Su".

　　Welcome to Xi'an. It is an ancient civilized city with a long history. In ancient times, more than ten dynasties including Zhou, Qin, Sui and Tang established their capitals here. Its prosperity has been more than 1100 years. It can be said that Xi'an is an important birthplace of the Chinese nation and Chinese civilization.

　　There are 72 mausoleums of ancient emperors around Xi'an. There are more than 700 ancient buildings (big wild goose pagoda, small wild goose pagoda, terracotta warriors and horses of Qin Shihuang, bell tower, ancient city wall, etc.), as well as Famen Temple in Baoji, Huashan Mountain in Xiyue, Huaqing pool, etc. At the same time, it is also the shooting place of many large-scale TV and movies, such as the front-end hot spots of "that year the moon was full" and "White Deer Plain".

　　The beauty of Xi'an is more than that. I hope you can experience it yourself.

　　When it comes to Xi'an food, it's mouth watering. As a native of Shaanxi and a responsible tour guide, I'd like to introduce you to the special food of Xi'an, Shaanxi. 1、 Mutton bubble bun, saw a bowl of thick and authentic mutton soup out, floating on a layer of transparent mutton oil. A basket of pancakes and a few sugar garlic become authentic Shaanxi flavor. 2、 Rougamo, in Xi'an, almost every staple food is made of wheat flour. Rougamo, a thick pancake, is cut into two halves evenly, and stewed pork is the most simple and delicious food. Oil noodles, thorn stem noodles, hollow noodles, Qishan whistle noodles, millet porridge all kinds of. Shaanxi people are looking for the true taste in simplicity.

　　Oh, let's all get off when we get to the wild geese. Please get off one by one in order. Don't be crowded. When you get off the bus, take the garbage bags with you. Don't litter. Pay attention to protecting the environment and be a civilized outsider with social morality. Thank you!

　　The beauty of Xi'an is endless. I hope you can enjoy it!

Dear tourists:

　　There are hundreds of ancient city walls in China, among which the ancient city walls of Beijing, Nanjing and Xi'an are the largest. However, the ancient city walls of Beijing and Nanjing have been demolished or seriously damaged. The ancient city wall of Xi'an, which was built in 1370 ad, is still intact. When Japan came to Xi'an for a visit to China, they did not look at the pit of the terracotta warriors, the "eighth wonder of the world", but boarded the west gate tower, which was built more than 600 years ago, to appreciate the majestic appearance of the ancient city wall. Now, please come with me to visit the ancient city wall of Xi'an.

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关于西湖的古诗介绍

关于西湖的古诗介绍

　　在*日的`学*、工作和生活里，大家都经常接触到古诗吧，古诗是古代*诗歌的泛称，在时间上指1840年*战争以前*的诗歌作品。还苦于找不到好的古诗？以下是小编帮大家整理的关于西湖的古诗介绍，欢迎阅读与收藏。

　　一：《饮湖上初晴后雨》

　　苏轼（宋）

　　水光潋滟晴方好，山色空蒙雨亦奇。

　　欲把西湖比西子，淡妆浓抹总相宜。

　　二：《春题湖上》

　　白居易（唐）

　　湖上春来似画图，乱峰围绕水*铺。

　　松排山面千重翠，月点波心一颗珠。

　　碧毯线头抽早稻，青罗裙带展新蒲。

　　未能抛得杭州去，一半勾留是此湖。

　　三：《岳鄂王墓》

　　赵子昂（元）

　　鄂王墓上草离离，秋日荒凉石兽危。

　　南渡君臣轻社稷，中原父老望旌旗。

　　英雄已死嗟何及，天下中分遂不支。

　　莫向西湖歌此曲，水光山色不胜悲。

　　四：《杭州回舫》

　　白居易（唐）

　　自别钱塘山水后，不多饮酒懒吟诗。

　　欲将此意凭回棹，报与西湖风月知。

　　五：《忆西湖》

　　张煌言（明）

　　梦里相逢西子湖，谁知梦醒却模糊。

　　高坟武穆连忠肃，添得新祠一座无。

　　六：《寄题余杭郡楼兼呈裴使君》

　　白居易（唐）

　　官历二十政，宦游三十秋。

　　江山与风月，最忆是杭州。

　　北郭沙堤尾，西湖石岸头。

　　绿觞春送客，红烛夜回舟。

　　不敢言遗爱，空知念旧游。

　　凭君吟此句，题向望涛楼。

　　1、临江仙西湖春泛

　　作者·赵溍

　　堤曲朱墙*远，山明碧瓦高低。好风二十四花期。骄总穿柳去，文艗挟春飞。

　　箫鼓晴雷殷殷，笑歌香雾霏霏，间情不受酒禁持。断肠无立处，斜日欲归时。

　　2、满庭芳（西湖）

　　作者·吴潜

　　春水溶溶，春山漠漠，淡烟浅罩轻笼。危楼阑槛，掠面小东风。又是飞花落絮，芳草暗、万绿成丛。闲徙倚，百年人事，都在画船中。

　　故园，无恙否，一溪翠竹，两径苍松。更有鱼堪钓，有秫堪舂。底事尘驱物役，空回首、社燕秋鸿。功名已，萧骚短鬓，分付与青铜。

　　3 、采桑子荷花开后西湖好

　　作者·欧阳修

　　荷花开后西湖好，载酒来时。不用旌旗。前后红幢绿盖随。

　　画船撑入花深处，香泛金卮。烟雨微微。一片笙歌醉里归。

　　4 、满江红（雨后携家游西湖，荷花盛开）

　　作者·陈三聘

　　绀谷浮空，山拥髻、晚来风急。吹骤雨、藕花

　　千柄，艳妆新浥。窥鉴粉光犹有泪，凌波罗袜何曾湿。讶汉宫、朝罢玉皇归，凝情立。

　　尊前恨，歌三叠。身外事，轻飞叶。怅当年空系，誓江孤楫。云色远连*野尽，夕阳偏傍疏林入。看月明、冷浸碧琉璃，君须吸。

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西安主要旅游景点介绍

西安主要旅游景点介绍

　　“旅”是旅行，外出，即为了实现某一目的而在空间上从甲地到乙地的行进过程；“游”是外出游览、观光、娱乐，即为达到这些目的所作的旅行。二者合起来即旅游。下面是小编整理的西安主要旅游景点介绍，欢迎大家分享。

　　陕西历史博物馆

　　陕西历史博物馆，是位于陕西西安的一座国家级综合性历史类大型博物馆。筹建于1983年，1991年6月20日落成开放，它的建成标志着*博物馆事业迈入了新的发展里程。陕西历史博物馆以其丰富的文物藏品成为展示陕西历史文化和*古代文明的殿堂，被誉为古都明珠，华夏宝库。

　　三秦大地是中华民族生息、繁衍，华夏文明诞生、发展的重要地区之一，*历史上最为辉煌的周、秦、汉、唐等十三个王朝曾在这里建都。丰富的文化遗存，深厚的文化积淀，形成了陕西的独特的历史文化风貌，被誉为古都明珠，华夏宝库的陕西历史博物馆则是展示陕西历史文化和*古代文明的艺术殿堂。

　　陕西历史博物馆是一座综合性历史类博物馆，位于*陕西省西安市雁塔区的小寨东路91号（大雁塔西北侧），是*第一座拥有现代化的设施的大型国家级博物馆。是4A级旅游景点。

　　陕西历史博物馆建筑的外观着意突出了盛唐风采，馆舍由一组中央殿堂、四隅崇楼的仿唐风格建筑群组成。馆舍布局呈轴线对称，主从有序;中央殿堂，四隅崇楼的结构特点。把唐代古典建筑风格与现代博物馆功能相结合，融*古代宫殿与庭院建筑风格于一体。馆区占地65，000*方米，建筑面积55，600*方米。文物库区面积8000*方米，展厅面积11000*方米。

　　陕西历史博物馆馆藏文物370，000余件，上起远古人类初始阶段使用的简单石器，下至1840年前社会生活中的各类器物，时间跨度长达一百多万年。*历史上强盛的周、秦、汉、唐等王朝曾在陕西西安附*建都，拥有丰富的文化遗存，深厚的文化积淀，文物数量多、种类全，品位高、价值广，其中有精美的商、周青铜器，千姿百态的历代陶俑，以及汉、唐金银器，唐墓壁画。堪称陕西悠久历史和文化的象征。陕西历史博物馆被誉为华夏珍宝库和中华文明的瑰丽殿堂。

　　陕西省历史博物馆是遵照**的遗愿建设的。

　　1973年，**来陕西视察时，有感于陕西丰富的文物资源和已有博物馆小而简陋的状况，提出应在陕西建一座新博物馆的指示。陕西省历史博物馆于1983年筹建，属国家七五计划重点建设项目。鉴于陕西在*历史上的地位，国家和陕西省*共同投资1.44亿人民币兴建陕西历史博物馆。陕西历史博物馆馆舍的设计由*工程院院士、著名建筑设计师张锦秋女士担任。1991年6月20日落成正式对外开放。绝大多数藏品是前陕西省博物馆移交的。

　　西安自古帝王都，历史上先后有周、秦、汉、唐等十三个封建王朝在此建都，地上地下文物非常丰富。形成了陕西的独特的历史文化风貌。陕西历史博物馆建成后，集中珍藏陕西地区出土的珍贵文物37万余件。比较典型的藏品有以下八大类：

　　青铜器

　　已登录注册的有3900多件。藏品时代上起商周，下止秦汉。种类有礼器、乐器、兵器、车马器、生活用品和生产工具。其中最为典型的商周青铜器，许多器物（如多友鼎、师献鼎等）上铸有史料价值很高的铭文。造型较为典型的有先周凤柱斝、西周牛尊、它盉、战国鸟盖瓠壶和汉彩绘雁鱼灯等。

　　历代陶俑

　　已注册的有2000多件。藏品时代包括秦、汉、北朝、隋、唐和宋、元、明、清。质地有陶、彩绘陶、釉陶和三彩。艺术形象有文武官员、甲士侍卫、男仆女侍、西域胡人，以及天王、镇墓兽和马、骆驼等各种动物。

　　历代陶瓷器

　　已注册的有5000多件。有史前仰韶文化彩陶、西周原始青瓷、汉代釉陶、唐三彩、古玻璃、琉璃、唐秘色瓷和宋耀窑青瓷等。器物种类包括生活用品、文具和殉葬明器等。

　　历代建材

　　已注册的有1000多件。藏品时代上起两周秦汉，下至唐宋明清。器物种类有陶制的瓦、瓦当、砖、昭尾、水道和石刻建材，以及金属建筑构件。

　　汉唐铜镜

　　已注册的有800多件。造形多样，图案精美。有些还铸刻着吉祥语句。

　　金银玉器

　　包括湮金望银的铜器。已注册的有2000多件。其中如西周玉制礼器、春秋秦公大墓出土的金啄木鸟、西汉皇后玉玺、金银竹节铜熏炉和1970年西安何家村唐代窖藏出土的镶金兽首玛瑙杯、八棱乐伎金杯、鎏金舞马衔杯纹银壶、赤金走龙等，均属举世罕见的精品。

　　历代货币

　　已注册的有10000多件。未清理造册（即不包括在总藏品数之内）的尚有50000多枚和*7000公斤。种类繁多，有西周贝币、战国刀币、秦半两、西汉金、王五株、王莽时的各种货币、唐金银币以及稀有的古代外币。

　　除上述八大类外，还有字画、版本、经卷、织物、骨器、木器、漆器、铁器、石器、印章、封泥，以及*现代文物和民俗民族文物。

　　陕西历史博物馆展厅面积11600多*方米，展出文物精品2700多件，展线总长2300米。展厅跨度大，层位高，视野广阔，照明设备灵活多用。整个陈列分为序言厅、基本陈列、专题展览、临时展览和已开辟为国际画廊的中央大厅等几个部分。馆内设有现代化文物库房、文物保护科技中心、图书馆、具备多种语言同声传译功能的报告厅。

　　博物馆序言厅位于中央大殿前端，陈列一尊巨大的千年石狮（唐代顺陵石狮复制品），衬以奔腾的黄河和黄土高原巨幅照片，引导观众去领略由黄土、黄河孕育出的古老文明。

　　陕西历史博物馆的基本陈列为陕西古代文明，2008年正式开放，以历史进程为线索，选取各时代的典型文物进行组合陈列，来揭示陕西地区古代社会文明发展状况。该陈列展出面积5051*方米，展线长1247米，在中央大厅，分上下两层，共三个展室，分为七个部分（史前;周;秦;汉;魏、晋、南北朝;隋、唐;宋、元、明、清）。

　　第一展馆：第一单元《人猿揖别》，距今115万年前的先民遗存，第二单元《凤鸣*》，西周王都的丰富遗迹，第三单元《东方帝国》，秦帝国以兵马俑为代表的文物;

　　第二展馆：第四单元《大汉雄风》，汉都长安、汉家陵阙和典型汉代文物，第五单元《冲突融合》，陕西民族大融合、佛教东渐丰富的文化遗存及宗教文物;

　　第三展馆：第六单元《盛唐气象》，*古代鼎盛时期隋唐时代典型遗存，第七单元《告别帝都》，展示唐以后作为西北区域中心的陕西。

　　基本陈列精选的2000余件珍贵文物包括：反映古代先民生活情景和艺术追求的丰富多姿的彩陶器皿，反映西周王都兴起与拥有的青铜器，反映秦扫*统一天下的青铜剑、兵马俑等，以及显示秦汉建筑构件、大型瓦当，民族大融合文化遗存、佛教东渐的宗教文物，还有反映盛唐繁荣景象的唐代金银器和唐三彩等等，并配以遗址模型、图表、照片等辅助展品，系统展现自115万年前至1840年期间陕西地区的悠久古代历史和文化。由于*古代社会周、秦、西汉、隋唐几个盛期都是在陕西地区建都的，所以该陈列以这几个时期为重点，反映了陕西地区古代文化，这几个时期*社会经济文化发展的最高水*。

　　唐墓壁画馆收藏了*20座唐墓的壁画，总藏量约1000*方米。我国历代墓葬壁画，不论是出土数量还是艺术价值，首推唐墓，主要集中在唐都长安周围。由于墓室壁画采取从墓室中将厚度为0点5cm—1cm的画面揭取下来加以保存的异地保存形式，为妥善保护这批壁画真迹，在陕西历史博物馆建馆同时修建了一座现代化的壁画观摩库，对壁画进行收藏、保管，同时便于研究和对外开放。唐墓壁画真品展每周部分时间对外开放。可观赏国宝级和一级品壁画十余幅，其中主要有章怀太子墓出土的马球图、狩猎出行图、客使图、懿德太子墓出土的阙楼图、仪仗图、宫女图等。

　　1、西周早期【（方舆）左右偏旁yu鼎】通高77，口径56点5厘米。1972年陕西眉县杨家村出土。目前暂存库房，没有在展线上展览。

　　2、西周中期【五祀卫鼎】通高36点3，口径34点3厘米。1975年*县董家村出土。在一楼西周展览大厅中段。

　　3、西周晚期【多友鼎】通高51点5厘米，口径50厘米。1980年陕西长安县下泉村出土。在一楼西周展览大厅中段。

　　4、西汉【皇后玉玺】高2，边长2点8厘米，重33克。1968年陕西咸阳市韩家湾乡狼家沟出土。在二楼西汉展览大厅前段。

　　5、西汉【鎏金竹节熏香炉】通高58，口径9，底径13点3厘米。1981年陕西兴*县豆马村出土。在二楼西汉展览大厅前段。

　　6、唐【舞马衔杯纹银壶】高14点3厘米。1970年西安市何家村出土。在二楼隋唐展览大厅中段。

　　7、唐【阙楼。仪仗图】高28O，宽280厘米。1971年陕西乾县懿德太子墓出土

　　8、唐【宫女图】高176，宽196.5厘米。1960年陕西乾县唐永泰公主墓出土。

　　9、唐【马球图】高229，宽688厘米。1971年陕西乾县章怀太子墓出土。

　　10、唐【狩猎出行图】高100—200，全长890厘米。1971年陕西乾县李贤墓出土。

　　11、唐【礼宾图】1971年陕西乾县章怀太子墓出土。

　　以上五组18幅壁画均保存密封库房中，在二楼隋唐展览大厅内均有其复制品供游客欣赏。

　　12、唐【鸳鸯莲瓣纹金碗（两件）】高5点5厘米，口径13点7厘米，足径6点7厘米。1970年西安市南郊何家村出土。在二楼隋唐展览大厅中段。

　　13、唐【镶金兽首玛瑙杯】长15点5，口径5点9厘米。1970年西安市南郊何家村出土。在二楼隋唐展览大厅后段。

　　14、唐【鹦鹉纹提梁银罐】高24点2，口径12点4，足径14点3厘米。1970年西安市南郊何家村出土在二楼隋唐展览大厅中段。

　　15、唐【三彩载乐骆驼俑】通高58厘米。高24点2，口径12点4，足径14点3厘米。1959年西安市西郊牛堡村唐墓出土。

　　原件在库房，其仿制品在二楼隋唐展览大厅后段。

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西安旅游景点大全介绍

西安旅游景点大全介绍

　　西安，古称长安、镐京，是陕西省会、副省级市、关中*原城市群核心城市、*西部地区重要的国家中心城市，国家重要的科研、教育、工业基地 。下面是关于西安旅游景点大全介绍的内容，欢迎阅读！

　　秦始皇兵马俑

　　世界第八大奇迹。1974年，秦始皇陵兵马俑坑的发现震惊世界。这一建在公元前3世纪的地下雕塑群以恢弘磅礴的气势，威武严整的军阵，形态逼真的陶俑向人们展示出古代东方文化的灿烂辉煌，无论建造年代、建筑规模与艺术效果无不堪与“世界七大奇迹”媲美。于是，“世界第八大奇迹”之誉不胫而走，成为秦始皇陵兵马俑的代名词。秦始皇兵马俑博物馆是我国最大的遗址博物馆，除一号坑、二号坑、三号坑保护陈列大厅外，还有兵马俑坑出土文物陈列室与秦陵铜车马陈列室。

　　大雁塔

　　大雁塔大雁塔位于和*门外4公里的慈恩寺内，相传唐代永徽三年。赴印度取经的玄奘法师。奏请在寺内建塔，用于存放他自印度带回来的经籍。这座塔初名为经塔。后世人称它为大雁塔，此塔巍峨挺拔，引起世人的赞叹。这座有着一千三百多年历史的大雁塔，成为古城西安独具风格的标志。大雁塔初建的时候只有5层，高60米，是仿照西域佛塔形式建的。后经多次修葺至今塔高64米，共7层，底边各长25米。大雁塔是*楼阁式砖塔的优秀典型。

　　大唐芙蓉园

　　大唐芙蓉园（TangParadise）位于古都西安大雁塔之侧，是*第一个全方位展示盛唐风貌的大型皇家园林式文化主题公园。早在历史上，芙蓉园就是久负盛名的皇家御苑。今天的大唐芙蓉园建于原唐代芙蓉园遗址上，以“走进历史、感受人文、体验生活”为背景，展示了大唐盛世的灿烂文明。大唐芙蓉园位于陕西省西安市曲江新区，占地1000亩，其中水面300亩，总投资13亿元，是西北地区最大的文化主题公园，建于原唐代芙蓉园遗址以北，是*第一个全方位展示盛唐风貌的大型皇家园林式文化主题公园。

　　华清池

　　华清池是位于唐华清宫遗址之上的一座皇家宫苑，西距西安30公里，南依骊山，北面渭水。因其亘古不变的温泉资源、唐明皇与杨贵妃的爱情故事、西安事变发生地以及丰厚的`人文历史资源而成为*著名的文化旅游景区，全国重点文物保护单位，国家首批AAAAA级旅游示范景区。华清池融人文历史与自然景观于一体，周、秦、汉、隋、唐等历代帝王在此修建离宫别苑。

　　黄巢堡国家森林公园

　　黄巢堡是当年黄巢义军攻打长安的时候屯兵之处，这里山险、林密、水阔、谷深。十万甲士用头巾兜裹，从长安城外运回黄土，铺*了这座练兵台，至今有—声回荡。黄巢堡景区以湖光山色、幽谷飞流、苍山叠翠为主要景观。“黄巢堡”位于西安城30公里的东骊山腹地。群山环抱，溪水环绕，四季常青。当地自古流传下来的四句诗描述道：“上有青松盖顶，下有四水围城；前有千山掩护，后有五龙护送。”她犹如窈窕少女，却纱幔遮掩不漏真容，她*在咫尺，却至今鲜为人知其“庐山真面目”。

　　秦始皇兵马俑博物馆

　　举世闻名的秦兵马俑，世界第八大奇迹，重现两千年前军人队伍的姿态。景点介绍秦始皇兵马俑博物馆，又称兵马俑、秦兵马俑，是秦始皇陵的陪葬坑，与秦始皇帝陵博物馆为同一个景点，采用一票制。秦始皇兵马俑素有世界第八大奇迹之称，这里出土的一千多个士兵陶俑，形象各不相同，神态生动，是*古代雕塑艺术史上的一颗明珠，被誉为“世界第八大奇迹”、“二十世纪考古史上的伟大发现之一”。

　　西安碑林博物馆

　　碑林是收藏我国古代碑石时间最早、数目最大的一座艺术宝库。这里名碑林立，藏品丰富，是我国古代书法艺术的宝库。同时汇集了古代的文献典籍和石刻图案，记述了我国文化发展的部分成就，反映了中外文化交流的史实，驰名中外。爱好书画与历史的游客不可错过。

　　秦始皇陵

　　秦始皇陵距离西安30公里，位于西安市临潼县东约5公里，南依骊山，层恋叠嶂，山林葱郁；北临渭水，逶迤曲转，银蛇横卧。高大的封冢在巍巍峰峦环抱之中与骊山浑然一体，景色优美。秦始皇陵是为秦始皇蠃政为自己修建的陵墓，是世界上最大的地下皇陵，能与之媲美的是古埃及金字塔这座世界上最大的地上王陵。

　　西安城墙

　　西安城墙它位于西安市中心区，呈长方形，包括护城河、吊桥、闸楼、箭楼、正楼、角楼、敌楼、女儿墙、垛口等一系列军事设施。构成了一套严密完整的冷兵器时代城市防御体系。西安城墙建于明洪武三年至十一（公元1370——1378）年间，以公元6世纪时隋唐皇城墙为基础扩展形成。明城墙呈长方形，周长约13。79公里，高12米，顶宽12至14米，底宽15至18米。墙体以黄土为主，加少许石灰、细沙、麦秸节，和水调和，分层夯打。城墙之上*整宽广，每隔120米建一座凸出墙外的敌台，台上建敌楼，全城共有98座。墩台之间距离相当，每2座敌台能够形成有利的火力夹击点，从而在战时有效地射杀攀爬城墙的敌人。

　　西安城墙

　　我一直觉得西安城墙是西安的名片，它古老，亲切，有风韵，千年来一直静静地伫立在西安城里，诉说着长安城的古老的故事。

　　西安城墙是*现存规模最大、保存最完整的古代城垣。现在很多人喜欢在城墙上骑单车，感觉十分浪漫而富有回忆。

　　地址：西安市中心区域

　　交通：公交4、7、10、15、18、21、23、31、43、45、201、107、202等路可到达西门，6、9、26、28、33、36、37等及地铁二号线可到达北门，11、12、16、23、26、31等及地铁二号线可到达南门，8、22、27、29、33、37等路可到达东门。

　　曲江池遗址公园

　　曲江公园的确漂亮，公园和唐朝文化历史结合的相当不错，有许多表现唐代社会生活的雕塑，布置在全园各处，使整个公园笼罩在一片浓郁的大唐文化氛围中。

　　面积很大，有曲江湖、也有湖畔的亭台楼阁，是一处休闲、纳凉、散步、划船的好位置，主要是还免费，可以逗留和消遣时间。

　　地址：曲江新区东南部

　　交通：乘坐21、22、23、24等路公交车，到“大唐芙蓉园南门”站下车，再步行2分钟即到公园北门

　　大唐不夜城

　　不夜城怎么说呢，非常唐朝化古典的建筑，方方正正很大气，灯光通明，有种繁华盛世纸醉金迷的感觉，大唐不夜城的中间是气势恢宏的雕像，讲述大唐盛世的名人轶事。

　　两旁隐藏在楼台阁宇里的是一个紧挨这一个的百货商店和美术馆、音乐厅等文化场所。百货商场之多，繁华之景象令人咋舌，就连在上海我也没见过一条路上能聚集那么多那么多的百货商场，咖啡馆多到数不胜数。

　　地址：西安曲江新区举世闻名的大雁塔脚下

　　交通：可乘坐212路，224路，22路，23路，242路，24路，407路，44路，500路区间，526路，609路，715路，曲江新景线，游9路等

　　八路军西安办事处旧址

　　没错，还是历史景点，走吧，抽空去感受下历史吧，反正是免费的。听说*、*、*、*、博古、吴玉章等多次在此工作、居住。白求恩、柯棣华和巴苏大夫、美国进步作家史沫特莱也在此居住过。

　　八路军西安办事处旧址共有10所坐北向南的院落，均为四合院式建筑。其中1号院为主要办公地点。如今1、3、4、7号院以及*等老一辈无产阶级革命家曾居住、办公的地方和外国友人居住的地方都已复原开放。

　　位置：位于西安市北新街七贤庄

　　交通：乘4、9、10、11、102、103、610、703路公共汽车北新街站下车

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西安四大旅游特色介绍

西安四大旅游特色介绍

　　西安有什么当地的旅游特色呢？下面是小编精心整理的西安四大旅游特色介绍，欢迎大家分享。

　　西安四大旅游特色：

　　皮影

　　陕西华县位于*陕西关中东部，是皮影的发源地。*皮影的国际正式名称叫“华剧”，即华县皮影戏曲之意，华县皮影有四绝：一是皮影雕刻作品造诣高，二是演唱功力极深，三是表演者功力精湛，四是华县皮影博大精深，综合艺术水*炉火纯青，堪称为戏曲艺术之绝唱。

　　四时风俗

　　春节，元日祀六神，戚友相拜，以食物互遗。上元昼作社虎、柳木腿诸戏，夜则张灯作竹马、龙灯、纸船备戏，金鼓喧阗，举国若狂，然亦古难礼之遗。二月二日，剖正月献神之蒸饼炒面食之，谓可避蝎。三月三日佩甘遂，谓不生疮。

　　夏节，四月朔，戴皂荚芽，谓可除目疾。重五日，以角黍各物相馈遗，捻五色线系小儿手足腕，入雄黄于酒饮之，谓可避五毒。

　　秋节，七月七日，缚草作女像，加以衣冠，祭以瓜果，名“乞巧”。八月望日玩月，设香烛，以枣粟各物向月献之，调为“玩月”。二十七日，士人祀孔。重九日，亲戚以枣糕新柿相馈，士人登高。

　　冬节，冬至日祀孔，弟子皆拜师十二月八日，以米豆肉菜作粥，遍送里党，名为“腊八粥”。二十三日或二十四日晚，以圆饼、饴糖献厨内，焚纸印灶神像，谓之送灶，除夕焚纸印马，谓之“接灶”。

　　秦腔艺术

　　秦腔流行于陕西、甘肃、宁夏、青海、新疆、*等地。源于陕甘一带的民间曲调和宋金元的铙鼓杂剧，形成于明代万历年间，已有五百多年历史。陕甘一带古为秦地，故称秦腔或西秦腔，俗称“乱弹”、“桄桄子”。因用木梆子击节，又名梆子腔。曾受昆腔、弋腔、青阳腔的影响，音韵严谨，有二百余种曲牌，二十四类板式，二十八种角色，二千七百多本剧目。是河南梆子、河北梆子、蒲剧、晋剧等几十个有较大影响剧种的母体。秦腔既有西北原野那种“天苍苍野茫茫”的浑厚深沉，悲壮高昂、慷慨激越的'风格，又有缠绵悱恻、细腻柔和、轻快活泼的特点，是我国最具地域特色的古老剧种。

　　社火

　　在陕西，社火是指芯子，高跷，竹马，旱船，狮子，龙灯等的统称。是一种靠扮演，造型，技巧获胜的艺术，它通过各种高难度的动作和严密的构思，让演员扮演历史人物和现代任务，形成一个故事的组合，给人一种高屋建瓴惊险迭出的艺术感染力。这种来自黄土地与秦腔想结合的艺术有着悠久的历史和独特的魅力。社火分大耍和小耍，小耍只出柳木腿和*台子。大耍除了这些还包括最高级别的芯子和亭子，社火中的精华就是最高难度的芯子，通常是在一个专用的桌子上固定一根指头粗高达2—3米多的钢筋，用彩纸在上面做出如棉花、果树、云朵、老虎、猛兽等等各种造型（造型最高可达4丈之多），然后按其内容将男女儿童（通常年龄4—5岁）装扮成戏剧人物站立顶端，少则一人，多则十于人，或并立，或叠置，横卧，倒立。惊险怪异不下于杂技。

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雪的诗句介绍

雪的诗句介绍

　　鹊踏枝·梅落繁枝千万片

　　朝代：五代

　　作者：冯延巳

　　原文：

　　梅落繁枝千万片，犹自多情，学雪随风转。昨夜笙歌容易散，酒醒添得愁无限。

　　楼上春山寒四面，过尽征鸿，暮景烟深浅。一晌凭栏人不见，鲛绡掩泪思量遍。

　　赏析

　　从这首词的结尾“一晌凭栏人不见，鲛绡掩泪思量遍”，人们会知道它是一首写思妇闺怨的艳词，从全词的内容看，也的确如此。而除了闺怨之外，这首词还提供了独特的审美联想。

　　这首词的开头三句，似乎是在写景。梅花似雪，随风飘飞，这景象是很美的。但是，如果读者把梅不仅仅当作景物，而是当作生命来看，这景象就是悲哀的了，“犹自多情”一句，更加重了浓厚的悲剧气氛。如果再进一步，把这自然生命的悲剧与人生的种种悲剧联系起来看，这三句就更具有了深广的意蕴，如叶嘉莹女士所说，“写出了所有有情之生命面临无常之际的缱绻哀伤，这正是人世千古共同的悲哀”了。

　　这种联想，并不是捕风捉影，而是由作品的上下文之间的联系而来：“昨夜笙歌容易散，酒醒添得愁无限”，大自然中的花落飘零，与人生中的良辰易逝、生命无常，是如此的相似，人们执著地企图在彻夜笙歌、沉酣美酒中去追求去把握生命，可是转瞬之间，能把握的一切全都消失在虚空之中，正如同繁枝梅落，似雪随风一样。梅离枝头，尚且流连“多情”;人生中的好景不长、笙歌散去，又怎不让人感到可悲可叹、无可奈何!

　　作者在这首词中的'感慨，似乎是飘忽无端、不可确指的。但通过合理的联想，读者似乎又可以窥见作者的内心世界，理解他的痛苦和悲哀，想象“昨夜笙歌”这个词所凝聚的人生失落的悲凉，懂得“梅落繁枝”所代表的多情生命之陨落的意义。而这些，正体现了冯延巳词意蕴深广、“堂庑特大”的特点。

　　冯延巳的词里，不乏艳情的描写。如“低语前欢频转面，双眉敛恨春山远”(《鹊踏枝》)、“香闺寂寂门半掩，愁眉敛，泪珠滴破燕脂脸”(《归自谣》)等等，与“花间”词并无明显的区别。但他也有些作品，既不同于温庭筠的“艳”，也不同于韦庄的“浅”，更绝少《花间集》中的**味道。如果用一个字来概括这些词的风格，那就是“雅”。

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《春日偶成》古诗介绍

《春日偶成》古诗介绍

　　《春日偶成》是宋代诗人程颢创作的一首七言绝句，作者用白描的手法，勾勒出风和日丽的春日景色。前两句写景，后两句抒情。一起来看看古诗介绍，仅供大家参考！谢谢！

　　春日偶成⑴

　　云淡风轻*午天⑵，傍花随柳过前川⑶。

　　时人不识余心乐⑷，将谓偷闲学少年⑸。

　　【词句注释】

　　⑴偶成：偶然写成。

　　⑵云淡：云层淡薄，指晴朗的天气。 午天：指中午的太阳。

　　⑶傍花随柳：傍随于花柳之间。傍，靠*，依靠。随，沿着。 川：瀑布或河畔。

　　⑷时人：一作“旁人”。 余心：我的心。余：一作“予”，我。

　　⑸将谓：就以为。将：乃，于是，就。 偷闲：忙中抽出空闲的时间。

　　【韵译】

　　云儿淡，风儿轻，时*春日中午，

　　傍着花，随着柳，我向河岸漫步。

　　这惬意的春游呀，人们并不了解，

　　将会说我忙里偷闲，强学少年童。

　　【散译】

　　淡淡的云在天上飘，风儿吹拂着我的脸庞，此时此刻已*正午，我穿行于花丛之中，沿着绿柳，不知不觉间来到了前面的河边。当时的人不理解我此时此刻我内心的快乐，还以为我在学年轻人的模样，趁着大好时光忙里偷闲呢。

　　【创作背景】

　　这首诗是程颢任陕西鄠县主簿时春日郊游，即景生情写下来的。诗人是宋代有名的理学家，长期困在书斋里，少有闲暇宽怀的时候。一旦走出书斋，回到大自然中，便觉得格外爽快，那种怡然自得的心情不言而喻。

　　教学目标：

　　1、能正确、流利、有感情地朗读课文，背诵两首古诗。

　　2、学会本课的3个生字，理解词语及诗句的意思。

　　3、想象古诗描绘的画面，感受古诗语言与意境的美，培养学生对然美和艺术美的鉴赏能力。

　　教学重点：

　　1、通过诵读，理解诗句的含义,体会诗歌的意境，熟读成诵。

　　2、结合古诗简洁的语言想象丰富的画面,先说再写。

　　教学难点:

　　1、诵读古诗，体会作者从听觉、触觉、视觉等多角度观察事物的方法。学*作者边观察边想像以及动用各种感官从多角度观察事物的方法。

　　2、透过诗中描写的景物，体会作者的思想感情,并把自己的感受写下来。

　　教学准备：

　　1、师生查找有关诗人、诗作的相关资料。

　　2、教学挂图。

　　教学时间：

　　三课时

　　教学过程：

　　第一课时

　　一、调动积累，揭示课题

　　1、启发学生回忆背诵过的描写春天景色的古诗。

　　2、引出诗题江南春：顾名思义，江南的春天。全诗描写了江南春天的绮丽景色。

　　3、介绍作者：杜牧，字牧之，今陕西省西安市人。二十六岁中进土曾做过幕僚，很不得志。他关心民生疾苦，在任地方官期间为人民做了一些好事。他和李商隐齐名，世称小李杜 。

　　二、自学古诗，整体感知

　　1、学生自由诵读古诗。

　　要求：(1)读准字音，注意节奏。

　　(2)边读边想诗句的意思，画出不理解的词句。

　　2、借助工具书，自己理解诗意。

　　3、小组合作学*，弄懂诗意。

　　4、检查学*效果

　　(1)指名朗读，集体正音。然后齐读全诗，注意停顿。

　　(2)解释词语：

　　绿映红、水村山郭、酒旗风、南朝、楼台、四百八十寺

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苏轼蝶恋花古诗介绍

苏轼蝶恋花古诗介绍

　　《蝶恋花·春景》表现了词人对春光流逝的叹息，以及自已的情感不为人知的烦恼。以下是小编精心整理的苏轼蝶恋花古诗介绍，欢迎阅读，希望大家能够喜欢。

　　蝶恋花·春景

　　花褪残红青杏小。燕子飞时，绿水人家绕。枝上柳绵吹又少，天涯何处无芳草！

　　墙里秋千墙外道。墙外行人，墙里佳人笑。笑渐不闻声渐悄，多情却被无情恼。

　　词句注释

　　⑴蝶恋花：词牌名。又名“凤栖梧”“鹊踏枝”等。双调，六十字，上下片各四仄韵。

　　⑵花褪残红青杏小：指杏花刚刚凋谢，青色的小杏正在成形。褪，萎谢。

　　⑶飞：一作“来”。

　　⑷绕：一作“晓”。

　　⑸柳绵：即柳絮。

　　⑹天涯何处无芳草：指春暖大地，处处长满了美美芳草。

　　⑺渐悄：渐渐没有声音。

　　⑻多情：指旅途行人过分多情。却被：反被。无情：指墙内荡秋千的佳人毫无觉察。

　　白话译文

　　花儿残红褪尽，树梢上长出了小小的青杏，燕子在天空飞舞。清澈的河流围绕着村落人家。柳枝上的柳絮已被风吹得越来越少，天涯路远，哪里没有芳草呢！

　　围墙里有位少女正荡着秋千，围墙外行人经过，听到了墙里佳人的笑声。笑声渐渐就听不到了。声音渐渐消散了。行人怅然，仿佛自己的多情被少女的无情所伤。

　　创作背景

　　此词朱祖谋本、龙榆生本未编年。其后诸家编年有异，而主要观点有以下四种：

　　曹树铭本云：“细玩此词上片之意境，与本集《满江红》之上片相似。而这首词下片之意境，复与本集《蝶恋花》之下片相似。以上二词，俱作于熙宁九年丙辰密州任内。铭颇疑此词亦系在密州所作，志以待考。”

　　薛瑞生本、邹同庆、王宗堂本均据《冷斋夜话》所载王朝云在惠州贬所曾唱此词及苏轼惠州时期的诗文里惯用此词中出现的“天涯”一词而系于绍圣二年（1095）春，作于惠州。陈迩冬《苏轼词选》也怀疑这首词是“谪岭南时期的作品”。

　　张志烈《苏词二首系年略考》认为此同是苏轼罢定州任谪知英州启程南下时的寄托之作，是他绍圣元年（1094）闰四月离定南行路途触景而发。

　　李世忠《苏轼〈蝶恋花·春景〉作时考》则据词中“青杏”、“燕子”、“柳绵”意象断定此词必不作于苏轼贬惠期间，据其所表述的思想情感看，当作于苏轼贬谪黄州时期，但没有具体编年。

　　作品鉴赏

　　这首词是伤春之作。苏轼长于豪放，亦擅婉约，这首词写春景清新秀丽。同时，景中又有情理，人们仍用“何处无芳草”以自勉。作者的“多情却被无情恼”，也不仅仅局限于对“佳人”的相思。这首词下片所写的是一个爱情故事的片段，未必有什么寄托。只是一首很好的婉约词。王士祯《花草蒙拾》所说的“枝上柳绵，恐屯田缘情绮靡，未必能过。”同时指出这首词与风格婉约的柳永词不相上下。

　　“花褪残红青杏小。”开头一句描写的是暮春景象，这是说，暮春时节，杏花凋零枯萎，枝头只挂着又小又青的杏子。作者的视线是从一棵杏树开始的：花儿已经凋谢，所余不多的红色也正在一点一点褪去，树枝上开始结出了幼小的青杏。“残红”，他特别注意到初生的“青杏”，语气中透出怜惜和喜爱，有意识地冲淡了先前浓郁的伤感之情。“燕子飞时，绿水人家绕。”燕子在空中飞来飞去，绿水环绕着一户人家。这两句又描绘了一幅美丽而生动的春天画面，但缺少了花树的点缀，仍显美中不足。“绕”字，曾有人以为应是“晓”。通读全词，并没有突出的景物表明这是清晨的景色，因而显得没有着落。而燕子绕舍而飞，绿水绕舍而流，行人绕舍而走，着一“绕”字，则非常真切。“枝上柳棉吹又少，天涯何处无芳草？”树上的柳絮在风的吹拂下越来越少，春天行将结束，难道天下之大，竞找不到一处怡人的景色吗？柳絮纷飞，春色将尽，固然让人伤感；而芳草青绿，又自是一番境界。苏轼的旷达于此可见。“天涯”一句，语本屈原《离骚》“何所独无芳草兮，尔何怀乎故宇”，是卜者灵氛劝屈原的话，其思想与苏轼在《定风波》中所说的“此心安处是吾乡”一致。最后竟被远谪到万里之遥的岭南。此时，他已人到晚年，遥望故乡，几*天涯。这境遇和随风飘飞的柳絮何其相似。

　　上阕描写了一组暮春景色，虽也有些许亮色，但由于缺少了花草，他感到更多的是衰败和萧索，这正如作者此时的心境。作者被贬谪在外，仕途失意又远离家人，所以他感到孤独惆怅，想寻找一些美好的景物来排解心中的郁闷，谁知佳景难觅，心情更糟。上阕表达了作者的惜春之情及对美好事物的追求。

　　“墙里秋千墙外道。墙外行人，墙里佳人笑。”墙外是一条道路，行人从路中经过，只听见墙里有荡秋千的声音，一阵阵悦耳的笑声不时从里面传出，原来是名女子在荡秋千。这一场景顿扫上阕之萧索，充满了青春的欢快旋律，使行人禁不住止步，用心地欣赏和聆听着这令人如痴如醉的欢声笑语。作者在艺术处理上十分讲究藏与露的关系。这里，他只写露出墙头的.秋千和佳人的笑声，其它则全部隐藏起来，让“行人”去想象，在想象中产生无穷意味。小词最忌词语重复，但这三句总共十六字，“墙里”、“墙外”分别重复，竟占去一半。而读来错落有致，耐人寻味。墙内是家，墙外是路；墙内有欢快的生活，年轻而富有朝气的生命；墙外是赶路的行人。行人的心情和神态如何，作者留下了空白。不过，在这无语之中，有一种冷落寂寞之感。“笑渐不闻声渐悄，多情却被无情恼。”也许是行人伫立良久，墙内佳人已经回到房间；也许是佳人玩乐依旧，而行人已渐渐走远。总之，佳人的笑声渐渐听不到了，四周显得静悄悄。但是行人的心却怎么也*静不下来。墙院里女子的笑声渐渐地消失了，而墙外的行人听到笑声后却心绪难*。他听到女子甜美的笑声，却一直无法看到女子的模样；心情起伏跌宕不已，而女子也并不知道墙外有个男子正为她苦恼。男子多情，女子无情。这里的“多情”与“无情”常被当爱情来解释，有感怀身世之情，有思乡之情，有对年轻生命的向往之情，有报国之情，等等，的确可谓是“有情”之人；而佳人年轻单纯、无忧无虑，既没有伤春感时，也没有为人生际遇而烦恼，真可以说是“无情”。作者发出如此深长的感慨，那“无情”之人究竟会撩拨起他什么样的思绪，对此，他并没回答。也许是勾起他对美好年华的向往，也许是对君臣关系的类比和联想，也许倍增华年不再的感慨，也许是对人生哲理的一种思索和领悟，作者并未言明，却留下了丰富回味、想象的空白。

　　下阕写人，描述了墙外行人对墙内佳人的眷顾及佳人的淡漠，让行人更加惆怅。在这里，“佳人”即代表上阕作者所追求的“芳草”，“行人”则是词人的化身。词人通过这样一组意象的刻画，表现了其抑郁终不得排解的心绪。

　　综观全词，词人写了春天的景，春天的人，而后者也可以算是一种特殊的景观。词人意欲奋发有为，但终究未能如愿。全词真实地反映了词人的一段心理历程，于清新中蕴涵哀怨，于婉丽中透出伤情，意境朦胧，韵味无穷。

　　名家评价

　　宋·魏庆之《诗人玉屑》：予得真本于友人处，“绿水人家绕”作“绿水人家晓”。“多情却被无情恼”，盖行人多情，佳人无情耳。此两字极有理趣，而“绕”与“晓”自霄壤也。

　　明·俞彦《爰园词话》：古人好词，即一字未易弹，亦未易改。子瞻“绿水人家绕”，别本“绕”作“晓”，为《古今词话》所赏。愚谓“绕”字虽*，然是实境；“晓”字无皈着，试通咏全章便见。

　　清·王士祯《花草蒙拾》：“枝上柳绵”，恐屯田缘情绮靡，未必能过。孰谓坡但解作“大江东去”耶？髯直是轶伦绝群。

　　清·先著、程洪《词洁》：坡公于有韵之言，多笔走不守之憾。后半手滑，遂不能自由，少一停思，必无此矣。

　　清·黄苏《蓼园词选》：

　　⑴“绿水人家绕”，非“绕”字，乃曰“人家晓”。“晓”字与“绕”字盖霄壤也。

　　⑵“枝上”一句，断送朝云。一声何满子，竟能使肠断。李龟年正若是耳。

　　⑶“佳人”是“无情”，“行人”是“多情”者。

　　⑷“柳绵”自是佳句，而次阕尤为奇情四溢也。

　　清·李佳《左庵词话》：此亦寓言，元端致谤之喻。

　　清·王闿运《湘绮楼词选》：此则逸思，非文人所宜。

　　*代·俞陛云《唐五代两宋词选释》：絮飞花落，每易伤春，此独作旷达语。下阕墙内外之人，干卿底事，殆偶闻秋千笑语，发此妙想，多情而实无情，色是空，公其有悟耶？

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春晓的古诗介绍

春晓的古诗介绍

　　《春晓》是唐代诗人孟浩然隐居在鹿门山时所作，诗人抓住春天的早晨刚刚醒来时的一瞬间展开联想，描绘了一幅春天早晨绚丽的图景，以下是小编收集的古诗相关内容，欢迎查看！

　　春晓

　　春眠不觉晓⑴，处处闻啼鸟⑵。

　　夜来风雨声⑶，花落知多少⑷。

　　词句注释

　　⑴不觉晓：不知不觉天就亮了。晓：早晨，天明，天刚亮的时候。

　　⑵闻：听见。啼鸟：鸟啼，鸟的啼叫声。

　　⑶“夜来”句：一作“欲知昨夜风”。

　　⑷“花落”句：一作“花落无多少”。知多少：不知有多少。知：不知，表示推想。

　　白话译文

　　春天睡醒不觉天已大亮，到处是鸟儿清脆的叫声。

　　回想昨夜的阵阵风雨声，吹落了多少芳香的春花。

　　创作背景

　　这首诗是唐代诗人孟浩然的作品。孟浩然早年隐居鹿门山，*长安谋求官职，考进士不中，还归故乡。《春晓》即是他隐居鹿门山时所作。

　　作品鉴赏

　　《春晓》这首小诗，初读似觉*淡无奇，反复读之，便觉诗中别有天地。它的艺术魅力不在于华丽的辞藻，不在于奇绝的艺术手法，而在于它的韵味。整首诗的风格就像行云流水一样*易自然，然而悠远深厚，独臻妙境。千百年来，人们传诵它，探讨它，仿佛在这短短的四行诗里，蕴涵着开掘不完的艺术宝藏。

　　自然而无韵致，则流于浅薄；若无起伏，便失之*直。《春晓》既有悠美的韵致，行文又起伏跌宕，所以诗味醇永。诗人要表现他喜爱春天的感情，却又不说尽，不说透，“迎风户半开”，让读者去捉摸、去猜想，处处表现得隐秀曲折。

　　“情在词外曰隐，状溢目前曰秀。”（张戒《岁寒堂诗话》引）写情，诗人选取了清晨睡起时刹那间的感情片段进行描写。这片段，正是诗人思想活动的启始阶段、萌芽阶段，是能够让人想象他感情发展的最富于生发性的顷刻。诗人抓住了这一刹那，却又并不铺展开去，他只是向读者透露出他的心迹，把读者引向他感情的轨道，就撒手不管了，剩下的，该由读者沿着诗人思维的方向去丰富和补充了。写景，他又只选取了春天的一个侧面。春天，有迷人的色彩，有醉人的芬芳，诗人都不去写。他只是从听觉角度着笔，写春之声：那处处啼鸟，那潇潇风雨。鸟声婉转，悦耳动听，是美的。加上“处处”二字，啁啾起落，远*应和，就更使人有置身山*上，应接不暇之感。春风春雨，纷纷洒洒，但在静谧的春夜，这沙沙声响却也让人想见那如烟似梦般的凄迷意境，和微雨后的众卉新姿。这些都只是诗人在室内的耳闻，然而这阵阵春声却逗露了无边春色，把读者引向了广阔的大自然，使读者自己去想象、去体味那莺啭花香的烂熳春光，这是用春声来渲染户外春意闹的美好景象。这些景物是活泼跳跃的，生机勃勃的.。它写出了诗人的感受，表现了诗人内心的喜悦和对大自然的热爱。

　　宋人叶绍翁《游园不值》诗中的“春色满园关不住，一枝红杏出墙来”，是古今传诵的名句。其实，在写法上是与《春晓》有共同之处的。叶诗是通过视觉形象，由伸出墙外的一枝红杏，把人引入墙内、让人想象墙内；孟诗则是通过听觉形象，由阵阵春声把人引出屋外、让人想象屋外。只用淡淡的几笔，就写出了晴方好、雨亦奇的繁盛春意。两诗都表明，那盎然的春意，自是阻挡不住的，你看，它不是冲破了围墙屋壁，展现在你的眼前、萦回在你的耳际了吗？

　　施补华曰：“诗犹文也，忌直贵曲。”（《岘佣说诗》）这首小诗仅仅四行二十个字，写来却曲屈通幽，回环波折。首句破题，“春”字点明季节，写春眠的香甜。“不觉”是朦朦胧胧不知不觉。在这温暖的春夜中，诗人睡得真香，以至旭日临窗，才甜梦初醒。流露出诗人爱春的喜悦心情。次句写春景，春天早晨的鸟语。“处处”是指四面八方。鸟噪枝头，一派生机勃勃的景象。“闻啼鸟”即“闻鸟啼”，古诗为了押韵，词序作了适当的调整。三句转为写回忆，诗人追忆昨晚的潇潇春雨。末句又回到眼前，联想到春花被风吹雨打、落红遍地的景象，由喜春翻为惜春，诗人把爱春和惜春的情感寄托在对落花的叹息上。爱极而惜，惜春即是爱春──那潇潇春雨也引起了诗人对花木的担忧。时间的跳跃、阴晴的交替、感情的微妙变化，都很富有情趣，能给人带来无穷兴味。

　　《春晓》的语言*易浅*，自然天成，一点也看不出人工雕琢的痕迹。而言浅意浓，景真情真，就像是从诗人心灵深处流出的一股泉水，晶莹透澈，灌注着诗人的生命，跳动着诗人的脉搏。读之，如饮醇醪，不觉自醉。诗人情与境会，觅得大自然的真趣，大自然的神髓。“文章本天成，妙手偶得之”，这是最自然的诗篇，是天籁。

　　名家点评

　　《王孟诗评》：刘风流闲美，正不在多。以诗*词，太以纤丽故。

　　《唐诗广选》：顾云：真景实情，人说不到。高兴奇语，唯吾孟公。

　　《唐诗归》：钟云：通是猜境，妙！妙！

　　《唐诗解》：昔人谓诗如参禅，如此等语，非妙悟者不能道。

　　《唐诗镜》：喁喁恹恹，绝得闺中体气，宛是六朝之余，第骨未峭耳。

　　《唐诗选》：玉遮曰：“知多少”，正是“不觉晓”妙处。

　　《唐诗选脉会通评林》：周珽曰：晓景喧媚，莫卜夜无寂寞。惜春心绪，有说不出之妙。周敬曰：二十字清声婉约。

　　《唐诗笺要》：朦胧臆想，构此幻境。“落多少”可以不说，又不容不说，诚非妙悟，不能有此。

　　《而庵说唐诗》：做上二句便煞住笔，复停想到昨夜去，又到花上来，看他用笔不定，瞻之在前，忽然在后矣。或问：何不写“夜来”在前？曰：看题中“晓”字。“处处闻啼鸟”下若再连一笔，则便不算晓矣，故特转到晓之前下“夜来”二字。“风雨声”紧跟上“闻”字，“晓”字便隔寻丈。其作“晓”精微有若此。

　　《唐诗笺注》：诗到自然，无迹可寻。“花落”句含几许惜春意。

　　《诗法易简录》：亦具一气流转之妙。

　　《历代诗评注读本》：描写春晓，而含有一种惋惜之意。惜落花乎？惜韶光耳。

　　《唐人绝句精华》：此古今传诵之作，佳处在人人所常有，唯浩然能道出之。闻风雨而惜落花，不但可见诗人清致，且有屈子“哀众芳之零落”之感也。

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